"Astonishing Ambiance for Smooth Days" by Snuggle School was released on March 18, 2020. The duration of Astonishing Ambiance for Smooth Days is about 3 minutes long, at 3:07. Based on our data, "Astonishing Ambiance for Smooth Days" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 3 out of 10 in Exciting Bgm for Morning Coffee by Snuggle School. The popularity of Astonishing Ambiance for Smooth Days is currently unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Astonishing Ambiance for Smooth Days by Snuggle School is Vivace (lively and fast), since this song has a tempo of 174 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Out There | Project Puppenwagen | B♭ Minor | 6 | 3A | 112 BPM | ||
Saturday Morning | Jeronimo | A♭ Major | 5 | 4B | 140 BPM | ||
Background Music for Artisanal Coffee Shops | Detroit Jazz Group | F Major | 3 | 7B | 88 BPM | ||
Boogie On The Beach | Sacred Sax | D Major | 4 | 10B | 120 BPM | ||
Morning Has Broken | Christian Jazz | C Major | 3 | 8B | 96 BPM | ||
A Brite Ending | Uptown Suite | B♭ Major | 5 | 6B | 95 BPM | ||
Autumn | Fantomacs | D Major | 4 | 10B | 170 BPM | ||
Wait For My Touch | Brian Grey | G Minor | 4 | 6A | 138 BPM | ||
Whenever You Call Me | Brian Clay | A♭ Minor | 4 | 1A | 108 BPM | ||
This Is My Fado (But it isn't Fado), Pt.1 | José Côrte-Real | B♭ Minor | 2 | 3A | 101 BPM |
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