"Hommage á T.S. Eliot (1987) - For Octet And Soprano: 1." by Sofia Gubaidulina, Gidon Kremer, Isabelle van Keulen, Tabea Zimmermann, David Geringas, Alois Posch was released on May 18, 2021. Since Hommage á T.S. Eliot (1987) - For Octet And Soprano: 1. is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 46 out of 85 in Clara Schumann & Great Female Composers by Clara Schumann, Cécile Chaminade, Grażyna Bacewicz. The popularity of Hommage á T.S. Eliot (1987) - For Octet And Soprano: 1. is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Hommage á T.S. Eliot (1987) - For Octet And Soprano: 1. by Sofia Gubaidulina, Gidon Kremer, Isabelle van Keulen, Tabea Zimmermann, David Geringas, Alois Posch is Vivace (lively and fast), since this song has a tempo of 168 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Douze Notations Pour Piano (1945): Hiératique | Pierre Boulez, Pi-hsien Chen | G Major | 0 | 9B | 84 BPM | ||
Symphony No. 9 in D Major: I. Andante comodo: No. 1, Andante comodo | Gustav Mahler, Mahler Academy Orchestra, Philipp von Steinaecker | D Major | 1 | 10B | 109 BPM | ||
Dutilleux: Sonatine for Flute and Piano: II. Andante espressivo - | Henri Dutilleux, Emmanuel Pahud, Eric Le Sage | B♭ Minor | 1 | 3A | 88 BPM | ||
String Quartet No. 2, "Company": III. | Philip Glass, Quatuor Molinari | D Minor | 1 | 7A | 81 BPM | ||
Bernstein: Symphony No. 2 "The Age of Anxiety", Pt. 1: The Seven Ages. Variation VII | Leonard Bernstein, Antonio Pappano, Beatrice Rana, Orchestra dell'Accademia Nazionale di Santa Cecilia | F Major | 0 | 7B | 53 BPM | ||
Officium breve in memoriam Andreae Szervánszky, Op. 28: 15. Arioso interrotto (di Endre Szervánszky) Larghetto | György Kurtág, Parker Quartet | C Major | 0 | 8B | 176 BPM | ||
String Quartet No. 1 "Métamorphoses nocturnes": Vivace, capriccioso | György Ligeti, The Verona Quartet | D Major | 5 | 10B | 111 BPM | ||
Dialog: Ich und Du - Pt. 6 | Sofia Gubaidulina, Vadim Repin, Gewandhausorchester, Andris Nelsons | D♭ Major | 0 | 3B | 75 BPM | ||
Élégie, L. 146 (Arr. For Cello And Piano By Olivier Hébert-Bouchard) | Claude Debussy, Stéphane Tétreault, Olivier Hébert-Bouchard | A♭ Major | 0 | 4B | 170 BPM | ||
7 Papillons: No. 3. — | Kaija Saariaho, Anssi Karttunen | D Major | 1 | 10B | 103 BPM |
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