"Strauss: Wiegenlied (Op. 41 No. 1)" by Malcolm Martineau, Inger Dam-Jensen was released on January 1, 2011. With this song being about 5 minutes long, at 4:33, "Strauss: Wiegenlied (Op. 41 No. 1)" by Malcolm Martineau, Inger Dam-Jensen is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 365 in the song's album "The Year". In this album, this song's track order is #37. Strauss: Wiegenlied (Op. 41 No. 1) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Strauss: Wiegenlied (Op. 41 No. 1) by Malcolm Martineau, Inger Dam-Jensen having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Del cabello más sutil | Fernando Obradors, José Carreras, Martin Katz | F♯ Major | 0 | 2B | 166 BPM | ||
Werther / Act 3: "Va! Laisse couler mes larmes" | Jules Massenet, Elina Garanca, Orquestra de la Comunitat Valenciana, Roberto Abbado | G Minor | 1 | 6A | 86 BPM | ||
Poème d'un jour, Op. 21: No. 3, Adieu | Gabriel Fauré, Stéphane Degout, Alain Planès | E Major | 1 | 12B | 136 BPM | ||
O leggiadri occhi belli | Anonymous, Cecilia Bartoli, György Fischer | A♭ Major | 1 | 4B | 73 BPM | ||
Se Florindo è fedele (from "La donna ancora è fedele") | Alessandro Scarlatti, Cecilia Bartoli, György Fischer | A♭ Major | 1 | 4B | 75 BPM | ||
Kalniņš: Sūpļa dzeesma | Alfrēds Kalniņš, Elina Garanca, Malcolm Martineau | A♭ Major | 0 | 4B | 81 BPM | ||
Walzer-Gesänge, Op. 6: No. 5, Blaues Sternlein | Alexander von Zemlinsky, Hanna-Elisabeth Müller, Juliane Ruf | G Major | 0 | 9B | 105 BPM | ||
Verborgenheit | Hugo Wolf, Jonas Kaufmann, Helmut Deutsch | E♭ Major | 1 | 5B | 121 BPM | ||
2 Songs, Op. 27: No. 1, Chanson d'amour | John Mark Ainsley, Gabriel Fauré, Malcolm Martineau | C Major | 0 | 8B | 136 BPM | ||
Elias, Op. 70, MWV A25, Part I: Introduction "So wahr der Herr, der Gott Israels, lebet" (Elijah) | Felix Mendelssohn, Petteri Salomaa, Orchestre des Champs-Élysées, Philippe Herreweghe | D Major | 3 | 10B | 109 BPM |
Section: 1.1158077716827393
End: 1.121772050857544