Magnificat: IV. Deposuit (Version for Full Orchestra) - Taylor Scott Davis, Voces8, VOCES8 Foundation Choir, VOCES8 Foundation Orchestra, Barnaby Smith Information

Acousticness: 98%
Danceability: 18%
Energy: 22%
Instrumentalness: 60%
Liveness: 12%
Loudness: 67%
Speechiness: 4%
Valence: 14%
Popularity: 23%
Loudness: -19.68 dB

Summary

"Magnificat: IV. Deposuit (Version for Full Orchestra)" by Taylor Scott Davis, Voces8, VOCES8 Foundation Choir, VOCES8 Foundation Orchestra, Barnaby Smith was released on September 29, 2023. The duration of Magnificat: IV. Deposuit (Version for Full Orchestra) is about 3 minutes long, at 3:00. Based on our data, "Magnificat: IV. Deposuit (Version for Full Orchestra)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. Because this song is the only song in Davis: Magnificat: IV. Deposuit and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Magnificat: IV. Deposuit (Version for Full Orchestra)'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Magnificat: IV. Deposuit (Version for Full Orchestra) BPM

The tempo marking of Magnificat: IV. Deposuit (Version for Full Orchestra) by Taylor Scott Davis, Voces8, VOCES8 Foundation Choir, VOCES8 Foundation Orchestra, Barnaby Smith is Allegro (fast, quick, and bright), since this song has a tempo of 125 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.

Magnificat: IV. Deposuit (Version for Full Orchestra) Key

This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Christmas Oratorio, BWV 248: No. 10, Sinfonia	Johann Sebastian Bach, James Galway, Barry Griffiths	G Major	1	9B	80 BPM
O Come, O Come, Emmanuel	Chanticleer	B Minor	1	10A	124 BPM
Ave Maria	Robert Parsons, Choir of St. John's College, Cambridge, Christopher Robinson	A♭ Major	1	4B	72 BPM
Panis Angelicus	The St Philips Boy's Choir	A♭ Major	3	4B	140 BPM
Gloria: I. [Allegro vivace]	John Rutter, Choir of King's College, Cambridge, Choir of Gonville & Caius College, Cambridge, Geoffrey Webber, City Of Birmingham Symphony Orchestra, Jacqueline Hartley, Stephen Cleobury	B♭ Major	1	6B	152 BPM
Ave Maria	Camille Saint-Saëns, Antonia Bourvé, Gundula Schneider, Romano Giefer, Les Favorites, Holger Speck	B Major	2	1B	82 BPM
Mary's Lullaby	John Rutter, City of London Sinfonia, The Cambridge Singers	F♯ Major	0	2B	67 BPM
God Rest You Merry Gentlemen - Arr. For String Orchestra	Metamorphose String Orchestra, Pavel Lyubomudrov	E Minor	1	9A	133 BPM
A Ceremony of Carols, Op. 28: This Little Babe	Benjamin Britten, Skaila Kanga, New London Children's Choir, Ronald Corp	E♭ Minor	1	2A	160 BPM
Winter	Rebecca Dale, Voces8, Mari Samuelsen, Hakon Samuelsen, Huw Watkins	D Minor	1	7A	78 BPM

ISRC: GBBBC2301245
Label: L-M Records/RCA Records

Section: 0.49558138847351074

End: 0.5011968612670898