"The Queenes Goodnight: The Queens Good Night" by Thomas Robinson, Rolf LaFleur, Bengt Ericson was released on December 1, 1993. With The Queenes Goodnight: The Queens Good Night being less than two minutes long, at 1:17, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Rolf LaFleur, Bengt Ericson's "Music for Viola Da Gamba And Lute" album is number 7 out of 16. On top of that, Sweden appears to be the country where this track was created. In terms of popularity, The Queenes Goodnight: The Queens Good Night is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Queenes Goodnight: The Queens Good Night by Thomas Robinson, Rolf LaFleur, Bengt Ericson to be Moderato (at a moderate speed) because the track has a tempo of 116 BPM, a half-time of 58BPM, and a double-time of 232 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pièces de Luth, Livre I in A Minor: No. 1, Prelude | Charles Mouton, Hopkinson Smith | A♭ Minor | 1 | 1A | 64 BPM | ||
Passemezzo for Lute & Bass Viol | Adrien Le Roy, Geneva Baroque Duo | B Major | 2 | 1B | 124 BPM | ||
La Vecchia galliard | John Johnson, Lynda Sayce, Matthew Spring | B♭ Major | 1 | 6B | 96 BPM | ||
Lute Sonata in C Minor, Op. 1, No. 1: I. Largo | Adam Falckenhagen, Andrew Maginley | B Major | 2 | 1B | 98 BPM | ||
Basse dance Cueur angoisseux | Pierre Attaingnant, Doulce Mémoire, Denis Raisin-Dadre | G Minor | 0 | 6A | 117 BPM | ||
Mudarra : Glosa sobre un Kyrie postrero | Heringman | C Minor | 0 | 5A | 96 BPM | ||
Triste plaisirs | Gilles Binchois, Into the Winds | F Minor | 0 | 4A | 66 BPM | ||
Cancion del primer tono (after a Canzon by Nicolaus Gombert) | Luis de Narváez, Lutz Kirchhof | D Minor | 0 | 7A | 91 BPM | ||
7 Fantasies, P. 4-3: No. 3. Farewell, P. 3 | John Dowland, Nigel North | F Minor | 1 | 4A | 68 BPM | ||
A Fancy | John Marchant, Lynda Sayce, Matthew Spring | G Minor | 1 | 6A | 93 BPM |
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