"Piano Concerto No. 2 in C Minor, Op. 18: II. Adagio sostenuto" by Sergei Rachmaninoff, Van Cliburn, Fritz Reiner was released on 2004. Piano Concerto No. 2 in C Minor, Op. 18: II. Adagio sostenuto appears to be safe for all ages as it is not explicit. There are a total of 6 in the song's album "Rachmaninoff: Piano Concertos Nos. 2 & 3 - Sony Classical Originals". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. In terms of popularity, Piano Concerto No. 2 in C Minor, Op. 18: II. Adagio sostenuto is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piano Concerto No. 2 in C Minor, Op. 18: II. Adagio sostenuto by Sergei Rachmaninoff, Van Cliburn, Fritz Reiner having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ruslan and Ludmila: Overture | Mikhail Glinka, The USSR Bolshoy Theatre Orchestra, Yevgeny Svetlanov | F Major | 3 | 7B | 81 BPM | ||
Viola Sonata in D Minor: I. Allegro moderato | Mikhail Glinka, Nobuko Imai, Roland Pöntinen | D Minor | 1 | 7A | 125 BPM | ||
Prelude No. 3 | George Gershwin, Jon Nakamatsu | E♭ Minor | 3 | 2A | 116 BPM | ||
Violin Concerto No.1 in G minor, Op.26: 3. Finale (Allegro energico) | Max Bruch, Janine Jansen, Gewandhausorchester, Riccardo Chailly | G Major | 2 | 9B | 93 BPM | ||
7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Variation 1 | Carl Maria von Weber, Michael Endres | C Major | 0 | 8B | 134 BPM | ||
Aleko: Men's Dance | Sergei Rachmaninoff, Mariana Zvetkova, Andreana Nikolova, Boiko Zvetanov, Alexander Tekeliev, Peter Naydenov, Sofia National Opera Chorus, Sofia National Opera Orchestra, Nayden Todorov | E♭ Major | 1 | 5B | 91 BPM | ||
Piano Sonata No. 7 in B-Flat Major, Op. 83: 3. Precipitato | Sergei Prokofiev, Yuja Wang | A♭ Major | 3 | 4B | 93 BPM | ||
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
Guillaume Tell: Overture - Remastered | Gioachino Rossini, Fritz Reiner, Chicago Symphony Orchestra | E Major | 1 | 12B | 85 BPM | ||
Nocturne | Lili Boulanger, Janine Jansen, Itamar Golan | F Major | 0 | 7B | 85 BPM |
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