Johannes Andreas Amon, Albert Linder, Vaclav Rabl, Henry Stenström, Göran Holmstrand's 'Horn Quartet, Op. 20, No. 1: II. Adagio' came out on February 28, 1995. The duration of Horn Quartet, Op. 20, No. 1: II. Adagio is about 3 minutes long, at 3:22. Based on our data, "Horn Quartet, Op. 20, No. 1: II. Adagio" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 6 out of 12 in Beethoven / Schubert / Schumann / Mozart: Music for French Horn by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. Based on our statistics, Horn Quartet, Op. 20, No. 1: II. Adagio's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Horn Quartet, Op. 20, No. 1: II. Adagio by Johannes Andreas Amon, Albert Linder, Vaclav Rabl, Henry Stenström, Göran Holmstrand is Allegro (fast, quick, and bright), since this song has a tempo of 133 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony in A Major, Op. 24 No. 2, P. I:7: III. Menuetto: Allegretto | Leopold Koželuch, Czech Philharmonic Chamber Orchestra, Marek Štilec | G Minor | 1 | 6A | 149 BPM | ||
Phantasie über Mozart's "Là ci darem la mano" | Franz Danzi, Martin Fröst, Singapore Symphony Orchestra, Lan Shui | B♭ Major | 0 | 6B | 67 BPM | ||
「コシ・ファン・トゥッテ」~序曲(W.A.モーツァルト) | Marcello Rota, Czech National Symphony Orchestra | C Major | 1 | 8B | 136 BPM | ||
Der Stein der Weisen, Act I: Overture | Wolfgang Amadeus Mozart, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl, Emanuel Schikaneder, Boston Baroque, Martin Pearlman | D♭ Major | 1 | 3B | 90 BPM | ||
Spängler-Menuett X | Leopold Mozart, Bankhaus Spängler | F Major | 1 | 7B | 131 BPM | ||
Achmet und Zenide, Act II: Ouverture Capriccio | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | G Major | 0 | 9B | 123 BPM | ||
Clarinet Concerto in E-Flat Major, Op. 36: II. Adagio | Franz Krommer, Kalman Berkes, Nicolaus Esterhazy Sinfonia | C Minor | 0 | 5A | 86 BPM | ||
Symphony in D Major, Op. 18, No. 2: II. Andante | Muzio Clementi, Chopin Chamber Orchestra, Winston Dan Vogel | D Major | 0 | 10B | 72 BPM | ||
6 Hungarian Dances: No. 4. Con Verbunk | Antal Gyorgy Csermak, Budapest Strings, Karoly Botvay | B♭ Major | 0 | 6B | 123 BPM | ||
Hommage till Lovisa Fredrica Bellman | Tomas Blank, Bellman Concerto Ensemble | C Major | 0 | 8B | 167 BPM |
Section: 0.6070947647094727
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