"Eine Alpensinfonie, Op. 64, TrV 233: Nacht" by Richard Strauss, Wiener Philharmoniker, Christian Thielemann was released on January 1, 2001. The duration of Eine Alpensinfonie, Op. 64, TrV 233: Nacht is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Eine Alpensinfonie, Op. 64, TrV 233: Nacht's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 22 in the song's album "Strauss, R.: Eine Alpensinfonie; Rosenkavalier-Suite". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Germany. Eine Alpensinfonie, Op. 64, TrV 233: Nacht is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Eine Alpensinfonie, Op. 64, TrV 233: Nacht by Richard Strauss, Wiener Philharmoniker, Christian Thielemann having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tchaikovsky: Tchaikovsky: Variations on a Rococo Theme, Op. 33: Variation VII & Coda (Allegro vivo) | Pyotr Ilyich Tchaikovsky, Munich Philharmonic Orchestra, Valery Gergiev | F♯ Minor | 0 | 11A | 78 BPM | ||
Symphony No.2 in C minor - "Resurrection" / 5th Movement: Im Anfang sehr zurückgehalten | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | D♭ Major | 1 | 3B | 105 BPM | ||
Ohne Aufenthalt, Polka Schnell, Op.112 | Eduard Strauss, Wiener Philharmoniker, Franz Welser-Möst | A Major | 5 | 11B | 105 BPM | ||
Elektra: Iv. Ich kann nicht sitzen… | Richard Strauss, Hugo von Hofmannsthal, Anita Soldh, Laila Andersson-palme, Royal Swedish Opera Orchestra, Siegfried Köhler | F♯ Major | 1 | 2B | 88 BPM | ||
Symphony No.8 In G, Op.88, B. 163: 2. Adagio | Antonín Dvořák, Wiener Philharmoniker, Herbert von Karajan | C Major | 0 | 8B | 133 BPM | ||
Requiem In D Minor, K.626: 3. Sequentia: Tuba mirum | Wolfgang Amadeus Mozart, Anna Tomowa-Sintow, Helga Muller-Molinari, Vinson Cole, Paata Burchuladze, Wiener Philharmoniker, Herbert von Karajan | B♭ Major | 1 | 6B | 66 BPM | ||
Symphony No. 4 In D Minor, Op. 120: 3. Scherzo | Robert Schumann, Wiener Philharmoniker, Herbert von Karajan | F♯ Major | 0 | 2B | 95 BPM | ||
Variations on an Original Theme, Op. 36 "Enigma": 12. B.G.N. (Andante) | Edward Elgar, Wiener Philharmoniker, John Eliot Gardiner | B♭ Major | 1 | 6B | 75 BPM | ||
Symphony No. 9 in D Minor, WAB 109 (Nowak Edition): II. Scherzo. Bewegt, lebhaft - Trio. Schnell | Anton Bruckner, Christian Thielemann, Wiener Philharmoniker | F♯ Minor | 1 | 11A | 97 BPM | ||
Vom Donaustrande, Polka schnell, Op. 356 | Johann Strauss II, Zubin Mehta, Wiener Philharmoniker | F Major | 4 | 7B | 78 BPM |
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