"Tchaikovsky: The Sleeping Beauty, Op. 66, Act I "The Spell": No. 8a, Pas d'action. Rose Adagio" by Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra was released on January 1, 1974. Tchaikovsky: The Sleeping Beauty, Op. 66, Act I "The Spell": No. 8a, Pas d'action. Rose Adagio is about six minutes long, preciously at 6:11, making this song fairly long compared to other songs. There are a total of 61 in the song's album "Tchaikovsky: The Sleeping Beauty, Op. 66". In this album, this song's track order is #17. Tchaikovsky: The Sleeping Beauty, Op. 66, Act I "The Spell": No. 8a, Pas d'action. Rose Adagio is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tchaikovsky: The Sleeping Beauty, Op. 66, Act I "The Spell": No. 8a, Pas d'action. Rose Adagio by Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Grieg: Peer Gynt Suite No. 1, Op. 46: III. Anitra's Dance | Edvard Grieg, Sakari Oramo, City Of Birmingham Symphony Orchestra | E Major | 5 | 12B | 85 BPM | ||
Capriccio espagnol, Op. 34: I. Alborada | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | A Major | 3 | 11B | 127 BPM | ||
Habanera | Emmanuel Chabrier, Monte-Carlo Philharmonic Orchestra, Herve Niquet | A Major | 0 | 11B | 80 BPM | ||
Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": II. Adagio un poco mosso | Ludwig van Beethoven, Murray Perahia, Bernard Haitink, Concertgebouworkest | B Major | 0 | 1B | 83 BPM | ||
The Londonderry Air | Hamilton Harty, Bryden Thomson, Ulster Orchestra, Pan Hon Lee | C Major | 1 | 8B | 91 BPM | ||
Piano Concerto No. 2 in B Flat Major, Op. 19: I. Allegro con brio | Ludwig van Beethoven, Krystian Zimerman, London Symphony Orchestra, Sir Simon Rattle | B♭ Major | 1 | 6B | 77 BPM | ||
Suffolk Suite: II. Orford Ness. Allegretto grazioso | Doreen Carwithen, Richard Hickox, London Symphony Orchestra | G Major | 0 | 9B | 85 BPM | ||
Smyth: The Wreckers: Overture | Ethel Smyth, Scottish National Orchestra/Sir Alexander Gibson | D Major | 1 | 10B | 132 BPM | ||
Tchaikovsky: Swan Lake, Op. 20, Act II: No. 13a, Dances of the Swans | Pyotr Ilyich Tchaikovsky, London Symphony Orchestra, André Previn | B♭ Major | 3 | 6B | 100 BPM | ||
Chopiniana, Op.46: 4. Valse (Op.64, No.2) | Alexander Glazunov, Deutsches Symphonie-Orchester Berlin, Vladimir Ashkenazy | D Minor | 1 | 7A | 136 BPM |
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