Johann Strauss II, Wiener Philharmoniker, Karl Böhm made "Tritsch-Tratsch-Polka, Op. 214" available on 1973. The duration of Tritsch-Tratsch-Polka, Op. 214 is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Tritsch-Tratsch-Polka, Op. 214's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Johann Strauss II, Wiener Philharmoniker, Karl Böhm's "Johann Strauss: Kaiserwalzer; Emperor Waltz; Walzer und Polkas" album is number 2 out of 8. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Tritsch-Tratsch-Polka, Op. 214's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Tritsch-Tratsch-Polka, Op. 214 by Johann Strauss II, Wiener Philharmoniker, Karl Böhm to be Allegro (fast, quick, and bright) because the track has a tempo of 142 BPM, a half-time of 71BPM, and a double-time of 284 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stephanie-Gavotte, Op. 312 | Alfons Czibulka, Riccardo Muti, Wiener Philharmoniker | G Major | 1 | 9B | 99 BPM | ||
Ponchielli: La Gioconda, Op. 9, Act 3: Dance of the Hours (Excerpt) | Amilcare Ponchielli, Sir Neville Marriner, Academy of St. Martin in the Fields | E Major | 0 | 12B | 79 BPM | ||
Wilhelm Tell Galopp, Op. 29b | Johann Strauss I, Riccardo Muti, Wiener Philharmoniker | E Major | 6 | 12B | 149 BPM | ||
Aida / Act 2: Grand March | Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | E♭ Major | 0 | 5B | 110 BPM | ||
Má Vlast, JB1:112: 2. Vltava | Bedřich Smetana, Wiener Philharmoniker, Herbert von Karajan | E Minor | 1 | 9A | 78 BPM | ||
Hungarian Rhapsody No. 2 in C-Sharp Minor, S. 244/2 | Franz Liszt, Wiener Philharmoniker, Giuseppe Sinopoli | G Major | 1 | 9B | 62 BPM | ||
Bizet: Carmen, WD 31: Prélude | Georges Bizet, Berliner Philharmoniker, Sir Simon Rattle | D Minor | 3 | 7A | 133 BPM | ||
Hungarian Dance No. 5 in G Minor | London Philharmonic Orchestra | G Minor | 2 | 6A | 139 BPM | ||
Pictures at an Exhibition (Orch. Ravel): IX. The Hut on Chicken's Legs | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | G Major | 2 | 9B | 166 BPM | ||
Kaiser-Walzer (Emperor Waltz), Op. 437 (RV 437) | Johann Strauss II, Edouard Strauss Orchestra, Edouard Strauss | C Major | 1 | 8B | 173 BPM |
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