Traditional, Gaelic Storm, James Horner made "An Irish Party in Third Class (includes "John Ryan's Polka" and "Blarney Pilgrim")" available on November 10, 1998. With this song being around four minutes long, at 3:47, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 28 in the song's album "Titanic 2-pack". In this album, this song's track order is #2. Based on our statistics, An Irish Party in Third Class (includes "John Ryan's Polka" and "Blarney Pilgrim")'s popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With An Irish Party in Third Class (includes "John Ryan's Polka" and "Blarney Pilgrim") by Traditional, Gaelic Storm, James Horner having a BPM of 151 with a half-time of 76 BPM and a double-time of 302 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Son of God Mass: Sanctus and Benedictus | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | F Major | 1 | 7B | 131 BPM | ||
Shu | Roberto Lorenz, Traditional | F♯ Major | 0 | 2B | 70 BPM | ||
Salve regina | Traditional, Monks Of The Abbey Of Notre Dame | D♭ Minor | 0 | 12A | 95 BPM | ||
Attende, Domine (Preces) | Capella Gregoriana Easo | D Major | 1 | 10B | 71 BPM | ||
Five Hebrew Love Songs 1. Temuna | Eric Whitacre | G Major | 1 | 9B | 87 BPM | ||
The Gartan Mother’s Lullaby | Desmond Earley, The Choral Scholars of University College Dublin, Hazel Conway, Geraldine O'Doherty | E♭ Major | 0 | 5B | 72 BPM | ||
Du vilar | Orphei Drängar | D♭ Major | 0 | 3B | 116 BPM | ||
Missa Tempore Quadragesimae, MH 553: Sanctus | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | A Major | 1 | 11B | 128 BPM | ||
Sub Tuum Præsidium | Anonymous, Traditional, Chœur De Moines Bénedictins De l'Abbaye Santo Domingo De Silos | C Minor | 1 | 5A | 78 BPM | ||
Miss De Angelis: III. Credo III | Gregorian Chants, Karel Frana, Boni Puncti | F♯ Minor | 1 | 11A | 76 BPM |
Section: 0.6380517482757568
End: 0.6424715518951416