Charles Camilleri, Charlene Farrugia, Orkestra Filarmonika Nazzjonali, Miran Vaupotic's ' "Piano Concerto No. 1 "Mediterranean": I. Allegro moderato" was released on its scheduled release date, September 4, 2015. This song appears to be safe for all ages as it is not explicit. The song is number 1 out of 10 in Camilleri: Piano Concerto No. 1 "Mediterranean", Accordion Concerto & Malta Suite by Charles Camilleri, Orkestra Filarmonika Nazzjonali, Miran Vaupotic. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. In terms of popularity, Piano Concerto No. 1 "Mediterranean": I. Allegro moderato is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Piano Concerto No. 1 "Mediterranean": I. Allegro moderato by Charles Camilleri, Charlene Farrugia, Orkestra Filarmonika Nazzjonali, Miran Vaupotic is Moderato (at a moderate speed), since this song has a tempo of 116 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Celos (Arr. for Violin & String Orchestra by Ken Selden) | Astor Piazzolla, Tomás Cotik, Martingale Ensemble, Ken Selden | F Major | 3 | 7B | 141 BPM | ||
Suite for Violin and Piano from Pulcinella, K34 (1925 Version): IV. Gavotta con due variazioni | Igor Stravinsky, Anthony Marwood, Thomas Adès | D Minor | 2 | 7A | 100 BPM | ||
Sauguet: Tableaux de Paris: V. Le canal Saint-Martin | Henri Sauguet, Michel Plasson, Orchestre Du Capitole De Toulouse | C Major | 3 | 8B | 82 BPM | ||
Pa1p1 | Ionel Petroi | A Minor | 0 | 8A | 90 BPM | ||
Lux Aeterna: IV. Allegro Presto Andantino | Rihards Dubra, Saxtett | C Major | 1 | 8B | 133 BPM | ||
Symphony No. 9 in D Major: IV. Adagio: No. 5, Stets sehr gehalten | Gustav Mahler, Mahler Academy Orchestra, Philipp von Steinaecker | D♭ Major | 0 | 3B | 86 BPM | ||
Staccato Sonata | Markolyno | D Minor | 0 | 7A | 64 BPM | ||
Concerto No. 3 in F Major, Op. 8, RV 293 "L'autunno": II. Adagio molto (With Narrator) | Antonio Vivaldi, Flanders Recorder Quartet, Marion Verbruggen | F♯ Minor | 0 | 11A | 66 BPM | ||
Children's Album, Book 1: No. 7, The Cavalry | Aram Khachaturian, Tsovinar Suflyan | C Major | 2 | 8B | 129 BPM | ||
Suite No. 1, "Orientale": I. Okenstamning: Adagio | Kurt Atterberg, Ferenc Balogh, Gyorgy Kertesz, Andras Kiss, Ilona Prunyi | B Minor | 1 | 10A | 61 BPM |