"Dicitencello vuie - Live" by Rodolfo Falvo, José Carreras, Plácido Domingo, Luciano Pavarotti, Orchestre de Paris, James Levine was released on January 1, 2002. With this song being around four minutes long, at 3:37, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 22 in the song's album "The Three Tenors - The Best of the 3 Tenors". In this album, this song's track order is #9. Dicitencello vuie - Live is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Dicitencello vuie - Live by Rodolfo Falvo, José Carreras, Plácido Domingo, Luciano Pavarotti, Orchestre de Paris, James Levine having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Core 'ngrato (Arr, Schifrin) - Live | Salvatore Cardillo, José Carreras, Plácido Domingo, Luciano Pavarotti, Orchestre de Paris, James Levine | E♭ Major | 2 | 5B | 76 BPM | ||
Rossini: Il barbiere di Siviglia, Act 1, No. 5: Una voce poco fa | Gioachino Rossini, Jesús López-Cobos, Orchestre de Chambre de Lausanne | E Major | 1 | 12B | 68 BPM | ||
Rusalka, Op. 114: Song to the Moon | Antonín Dvořák, Joshua Bell, Michael Stern | F♯ Major | 1 | 2B | 137 BPM | ||
Bizet: Les Pêcheurs de perles, Act 1: "Au fond du temple saint" (Nadir, Zurga) | Georges Bizet, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique | E♭ Major | 2 | 5B | 88 BPM | ||
La Sonnambula / Act 2: Ah, non credea mirarti | Vincenzo Bellini, Cecilia Bartoli, International Chamber Soloists, Orchestra La Scintilla, Ádám Fischer | A Minor | 1 | 8A | 109 BPM | ||
Questa o quella | Mario del Monaco | D♭ Major | 3 | 3B | 98 BPM | ||
Il Barbiere di Siviglia: Act I: Piano, pianissimo - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly | C Major | 3 | 8B | 127 BPM | ||
Carmela | Luigi Denza, Francesco Paolo Tosti, Pasquale Mario Costa, Emanuele Nutile, Nicola Valente, Giambattista De Curtis, Rodolfo Falvo, Ernesto Tagliaferri, Joseph Giuseppe Gioé, Manuel Penella, Salvatore D'esposito, Domenico Modugno, Sergio Rendine, Philharmonia Orchestra, Giancarlo Guarino | G Major | 1 | 9B | 80 BPM | ||
Tu ca nun chiagne | Mario del Monaco | E Major | 3 | 12B | 83 BPM | ||
Dicitencello vuie | Rodolfo Falvo, Peter Dvorsky, Prague Philharmonia, Rastislav Stur | F Minor | 2 | 4A | 81 BPM |
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