"Vier Toteninseln (2002/03) for Orchestra and Two Soloists: 1. Satz" by Johannes Kalitzke, Thomas E. Bauer, Thomas Larcher, Deutsches Symphonie-Orchester Berlin was released on July 1, 2007. Since Vier Toteninseln (2002/03) for Orchestra and Two Soloists: 1. Satz is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Johannes Kalitzke, Deutsches Symphonie-Orchester Berlin, Thomas E. Bauer, Thomas Larcher, Stadler Quartett's "Johannes Kalitzke: Vier Toteninseln" album is number 1 out of 10. On top of that, Austria appears to be the country where this track was created. Vier Toteninseln (2002/03) for Orchestra and Two Soloists: 1. Satz is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Vier Toteninseln (2002/03) for Orchestra and Two Soloists: 1. Satz by Johannes Kalitzke, Thomas E. Bauer, Thomas Larcher, Deutsches Symphonie-Orchester Berlin to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bending the bars | Upside Down Upright Bass | A Minor | 0 | 8A | 130 BPM | ||
Speaking Drums: I. Tanzlied / Dance Songs | Peter Eötvös, Orchestre Philharmonique de Radio France, Martin Grubinger | F♯ Major | 2 | 2B | 134 BPM | ||
Lost Highway (2002/03): Scene 7.2 | Olga Neuwirth, Constance Hauman, Georg Nigl, Johannes Kalitzke, Klangforum Wien | A Minor | 1 | 8A | 133 BPM | ||
Lindberg: Mandrake in the Corner: II Lento I | Christian Lindberg, ADDA Simfònica | G Major | 0 | 9B | 63 BPM | ||
Lost Highway (2002/03): Scene 2.2 | Olga Neuwirth, Constance Hauman, Johannes Kalitzke, Klangforum Wien, Vincent Crowly, Kai Wessel | E♭ Major | 0 | 5B | 75 BPM | ||
Hassan, DCW 8, Act 5 Scene 2: Closing Scene. Slow – (The Caravan recedes farther and farther into the distance.) – (Dying away in the distance) | Frederick Delius, Ruairi Bowen, Britten Sinfonia Voices, Britten Sinfonia, Jamie Phillips | G Minor | 0 | 6A | 87 BPM | ||
Piano Concerto No. 1, Op. 14: III. Allegro. Molto marcato | Alexander Mosolov, Steffen Schleiermacher, Berlin Radio Symphony Orchestra, Johannes Kalitzke | C Major | 4 | 8B | 130 BPM | ||
Orbits for Clarinet Solo: I. First Movement | Charles Camilleri, David Campbell, Godfrey Mifsud, Susanne Stanzeleit, Julian Jacobson | D Minor | 0 | 7A | 75 BPM | ||
Kleine Sinfonie, Op. 29: IV. Allegro | Hanns Eisler, Berlin Radio Symphony Orchestra, Johannes Kalitzke | E♭ Major | 0 | 5B | 75 BPM | ||
Göreme: II. The Abyss - Live performance on May 20, 2010 | Markku Klami, Patrik Kleemola | D Minor | 0 | 7A | 66 BPM |
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