"Missa Pro Defunctis: III. Graduale" by Joan Cererols, Jordi Savall, Montserrat Figueras, La Capella Reial De Catalunya, Hespèrion XX was released on June 3, 2013. With this song being around four minutes long, at 3:41, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Jordi Savall, La Capella Reial De Catalunya, Montserrat Figueras, Hespèrion XX's "La Capella Reial de Catalunya - 25th Anniversary" album is number 14 out of 48. Based on our statistics, Missa Pro Defunctis: III. Graduale's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Missa Pro Defunctis: III. Graduale by Joan Cererols, Jordi Savall, Montserrat Figueras, La Capella Reial De Catalunya, Hespèrion XX to be Allegro (fast, quick, and bright) because the track has a tempo of 133 BPM, a half-time of 66BPM, and a double-time of 266 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Octonaires de la vanité du monde, Livre 1: 1. L'eau va viste en s'escoulant | Paschal de l'Estocart, Ensemble Clément Janequin, Dominique Visse | C Major | 1 | 8B | 177 BPM | ||
The Lamentations of Jeremiah the Prophet. Lamentations for Good Friday, ZWV 203: No. 3, Lamentatio III. Gregorian Chant | Jan Dismas Zelenka, Tomáš Král, Collegium Marianum | A♭ Minor | 0 | 1A | 84 BPM | ||
2 Choeurs, Op. 68: No. 2. Les fleurs et les arbres | Camille Saint-Saëns, musica intima | E♭ Major | 1 | 5B | 76 BPM | ||
Maria, quid ploras | Claudio Monteverdi, Le Poème Harmonique, Vincent Dumestre | D Minor | 1 | 7A | 80 BPM | ||
Lille Almanak – Little Almanac 3 | Finn Mathiassen, Harald Herdal, Jens Peter Jacobsen, Musikstuderendes Kammerkor | G Minor | 0 | 6A | 75 BPM | ||
Ay, mi Dios | Pedro de Cristo, Coro de Câmara de Lisboa, Teresita Gutierrez Marques | B Minor | 7 | 10A | 97 BPM | ||
Officium defunctorum: Invitatorium: Antifona: "Circumdederunt me" | Cristobal de Morales, Gabrieli, Paul McCreesh | F Major | 1 | 7B | 125 BPM | ||
Laetatus sum I | Claudio Monteverdi, Krijn Koetsveld, Le Nuove Músiche | G Major | 3 | 9B | 75 BPM | ||
Tenebrae Responsories - Matins Responsories for Holy Saturday: Nocturn II - Ecce quomodo moritur iustus | Tomás Luis de Victoria, I Fagiolini, Robert Hollingworth | D♭ Minor | 0 | 12A | 83 BPM | ||
Missa Paschalis, ZWV 7: Gloria. Qui tollis | Jan Dismas Zelenka, Inégal Ensemble, Adam Viktora, Gabriela Eibenová, Marian Krejcik, Terry Wey, Cyril Auvity | F♯ Minor | 2 | 11A | 128 BPM |
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