"Werther, Act III: Werther! Werther! Qui M'aurait Dit La Place - Sung In Italian" by Elina Garanca, Latvian National Symphony Orchestra, Georges Hartmann, Édouard Blau, Paul Milliet, Jules Massenet was released on January 1, 2001. Since Werther, Act III: Werther! Werther! Qui M'aurait Dit La Place - Sung In Italian is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 10 out of 10 in Arie Favourite (Mozart / Rossini / Bellini / Donizetti / Massenet) by Felice Romani. Werther, Act III: Werther! Werther! Qui M'aurait Dit La Place - Sung In Italian is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Werther, Act III: Werther! Werther! Qui M'aurait Dit La Place - Sung In Italian by Elina Garanca, Latvian National Symphony Orchestra, Georges Hartmann, Édouard Blau, Paul Milliet, Jules Massenet is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Roméo et Juliette, CG 9 / Act 1: "Ah, je veux vivre" | Charles Gounod, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras | C Major | 2 | 8B | 77 BPM | ||
Samson et Dalila, Op.47, R. 288 / Act 2: "Samson, recherchant ma présence ... Amour, viens aider ma faiblesse" | Camille Saint-Saëns, Elina Garanca, Orquestra de la Comunitat Valenciana, Roberto Abbado | A♭ Major | 1 | 4B | 176 BPM | ||
Les pêcheurs de perles, WD 13 / Act I: "C'était le soir" ... "Au fond du temple saint" | Georges Bizet, Rolando Villazón, Ildar Abdrazakov, Orchestre Métropolitain, Yannick Nézet-Séguin | E Major | 0 | 12B | 79 BPM | ||
Gracias a la vida (Arr. del Rey) | Violeta Parra, Elina Garanca, Johanne-Valerie Gelinas, Diego Val, Francisco Navarro, José Maria Gallardo del Rey | A Major | 1 | 11B | 158 BPM | ||
Schubert : "Du bist die Ruh" D776 | Franz Schubert, Barbara Bonney | E♭ Major | 0 | 5B | 66 BPM | ||
Vier letzte Lieder, TrV 296: 3. Beim Schlafengehen | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | D♭ Major | 1 | 3B | 82 BPM | ||
Strauss, R: 4 Lieder, Op. 27: No. 4, Morgen! (Version with Orchestra) | Richard Strauss, Elisabeth Schwarzkopf, George Szell, London Symphony Orchestra | G Major | 1 | 9B | 75 BPM | ||
5 Lieder, Op. 94: IV. Sapphische Ode | Johannes Brahms, Elina Garanca, Malcolm Martineau | F♯ Minor | 1 | 11A | 86 BPM | ||
Mersedesa (Transcr. for Mezzosoprano, Guitar and Piano) | Raimonds Pauls, Elina Garanca, José Maria Gallardo del Rey | A♭ Major | 0 | 4B | 81 BPM | ||
Norma / Act 1: Casta Diva | Vincenzo Bellini, Dame Joan Sutherland, Samuel Ramey, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Richard Bonynge | F Major | 1 | 7B | 67 BPM |
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