George Frideric Handel, Sir Charles Mackerras, English National Opera Orchestra, Sarah Walker made "Julius Caesar, HWV 17, Act II Scene 2: Sigh no more, forget lamenting (Cornelia)" available on April 1, 1999. The duration of Julius Caesar, HWV 17, Act II Scene 2: Sigh no more, forget lamenting (Cornelia) is about 3 minutes long, at 3:14. Based on our data, "Julius Caesar, HWV 17, Act II Scene 2: Sigh no more, forget lamenting (Cornelia)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in George Frideric Handel, Sir Charles Mackerras, English National Opera Orchestra, Dame Janet Baker, Valerie Masterson, James Bowman, Della Jones, Sarah Walker, John Tomlinson's "Handel: Julius Caesar" album is number 9 out of 58. On top of that, United Kingdom appears to be the country where this track was created. Julius Caesar, HWV 17, Act II Scene 2: Sigh no more, forget lamenting (Cornelia) is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Julius Caesar, HWV 17, Act II Scene 2: Sigh no more, forget lamenting (Cornelia) by George Frideric Handel, Sir Charles Mackerras, English National Opera Orchestra, Sarah Walker to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 1/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto in G major: Largo | Georg Philipp Telemann, Hartmut Rohde, Georg Mais | G Major | 0 | 9B | 166 BPM | ||
Concerto Grosso in D Minor, Op. 6, No. 10, HWV 328: IV. Allegro | George Frideric Handel, Simon Standage, Elizabeth Wilcock, Anthony Pleeth, Robert Woolley, Trevor Pinnock, The English Concert | F Major | 2 | 7B | 158 BPM | ||
Rondo in D Minor, Wq. 61/4, H. 290 | Carl Philipp Emanuel Bach, Christopher Hinterhuber | B♭ Major | 1 | 6B | 135 BPM | ||
Suite From Abdelzar: I. Rondeau | Henry Purcell, Tafelmusik Baroque Orchestra, Jeanne Lamon | D♭ Minor | 1 | 12A | 101 BPM | ||
Bach, CPE: Flute Concerto in A Minor, Wq. 166: I. Allegro assai | Carl Philipp Emanuel Bach, Emmanuel Pahud, Trevor Pinnock, Kammerakadamie Potsdam | A Minor | 2 | 8A | 87 BPM | ||
Concerto No. 4 in G major, BWV 1049: I. Allegro | Johann Sebastian Bach, Freiburger Barockorchester | F Major | 2 | 7B | 99 BPM | ||
Bach - Prelude and Fugue in D Major, P. 158 (after J.S. Bach's BWV 532): Prelude: Allegro - Meno mosso - Alla breve [Allegro] - Adagio - | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 1 | 10B | 143 BPM | ||
Il prigioniero fortunato: Sinfonia: III. Allegro | Alessandro Scarlatti, Concerto de' Cavalieri, Marcello di Lisa | D♭ Major | 4 | 3B | 77 BPM | ||
Concerto Per Oboe, Archi E Continuo In Re Minore: III. Presto | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 2 | 12A | 118 BPM | ||
Cello Concerto in C, H.VIIb, No.1: 2. Adagio | Joseph Haydn, Jian Wang, The Gulbenkian Orchestra, Muhai Tang | F Major | 1 | 7B | 96 BPM |
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