Luigi Dallapiccola, Antonio Vivaldi, Martin Rummel, Till Alexander Körber's 'Cello Sonata in B-Flat Major, Op. 14, No. 4, RV 45 (arr. L. Dallapiccola for cello and piano): III. Largo' came out on July 5, 2011. The duration of Cello Sonata in B-Flat Major, Op. 14, No. 4, RV 45 (arr. L. Dallapiccola for cello and piano): III. Largo is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Cello Sonata in B-Flat Major, Op. 14, No. 4, RV 45 (arr. L. Dallapiccola for cello and piano): III. Largo's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vivaldi (Dallapiccola): Cellosonaten by Antonio Vivaldi, Martin Rummel. The song's track number on the album is #15 out of 48 tracks. Cello Sonata in B-Flat Major, Op. 14, No. 4, RV 45 (arr. L. Dallapiccola for cello and piano): III. Largo is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Cello Sonata in B-Flat Major, Op. 14, No. 4, RV 45 (arr. L. Dallapiccola for cello and piano): III. Largo by Luigi Dallapiccola, Antonio Vivaldi, Martin Rummel, Till Alexander Körber has a tempo of 86 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Cello Sonata in B-Flat Major, Op. 14, No. 4, RV 45 (arr. L. Dallapiccola for cello and piano): III. Largo being at 86 BPM, the half-time would be 43 BPM with a double-time of 172 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonatina for Violin & Piano, Op. 6: II. Sempre senza vibrato | Heinz Roemheld, Patrick Savage, Martin Cousin | D♭ Major | 1 | 3B | 92 BPM | ||
Concerto pour piano | Germaine Tailleferre, The California Parallele Ensemble, UC Santa Cruz Orchestra, Nicole Paiement | D Major | 2 | 10B | 105 BPM | ||
The Young Person's Guide to the Orchestra, Op. 34: II. Variations A-D, Woodwinds. Presto - Lento - Moderato - Allegro alla marcia | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra | C Major | 0 | 8B | 66 BPM | ||
Variations on a theme of Paganini: Var. 7-10. Allegro vivace | Marc-André Hamelin | C Major | 0 | 8B | 129 BPM | ||
Shéhérazade: No. 2. La Flûte enchantée | Maurice Ravel, Isabelle Druet, Orchestre National De Lyon, Leonard Slatkin | F♯ Minor | 0 | 11A | 175 BPM | ||
Miroirs, M. 43: IV. Alborada del gracioso | Maurice Ravel, Steven Osborne | C Major | 0 | 8B | 73 BPM | ||
I. Sostenuto. Misurato. Prestissimo | György Ligeti, Claudia Janet Birkholz | D Major | 0 | 10B | 114 BPM | ||
Eternal Rest | Jade Spirit | F Major | 2 | 7B | 92 BPM | ||
Suite in the Old Style: II. Ballet | Alfred Schnittke, Daniel Hope, Alexey Botvinov | D Major | 3 | 10B | 117 BPM | ||
Piano Sonata No. 1 in F Minor, Op. 6: II. (Adagio) | Alexander Scriabin, Julius Asal | B Minor | 0 | 10A | 69 BPM |
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