Astor Piazzolla, Luciana Mancini, Bonn Beethoven Orchestra, Christopher Sprenger, Johannes Mertes, Lothar Hensel, Mariska van der Sande, Mikhail Ovrutsky, Grigori Alumyan, Róbert Grondžel, Christian Kiefer, Thomas Wise's 'María de Buenos Aires, Pt. 1: Milonga Carrieguera por María la Niña' came out on March 1, 2019. With this song being about 5 minutes long, at 4:30, "María de Buenos Aires, Pt. 1: Milonga Carrieguera por María la Niña" by Astor Piazzolla, Luciana Mancini, Bonn Beethoven Orchestra, Christopher Sprenger, Johannes Mertes, Lothar Hensel, Mariska van der Sande, Mikhail Ovrutsky, Grigori Alumyan, Róbert Grondžel, Christian Kiefer, Thomas Wise is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 18 in the song's album "Piazzolla: María de Buenos Aires". In this album, this song's track order is #5. In terms of popularity, María de Buenos Aires, Pt. 1: Milonga Carrieguera por María la Niña is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With María de Buenos Aires, Pt. 1: Milonga Carrieguera por María la Niña by Astor Piazzolla, Luciana Mancini, Bonn Beethoven Orchestra, Christopher Sprenger, Johannes Mertes, Lothar Hensel, Mariska van der Sande, Mikhail Ovrutsky, Grigori Alumyan, Róbert Grondžel, Christian Kiefer, Thomas Wise having a BPM of 118 with a half-time of 59 BPM and a double-time of 236 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kállai kettös | Zoltán Kodály, Lakatos | E Minor | 5 | 9A | 101 BPM | ||
4 Estaciones Portenas (pour guitare): N°.2 Verano Porteño | Göran Söllscher, Astor Piazzolla | A Minor | 0 | 8A | 80 BPM | ||
Versatile, Pt. 2 - With Bass Flute | Claude Bolling, Jean-Pierre Rampal, Max Hédiguer, Marcel Sabiani | A♭ Major | 2 | 4B | 139 BPM | ||
Cancion de cuna | Leo Brouwer, Vicente Coves | G Major | 0 | 9B | 67 BPM | ||
Black Orpheus: Manha de Carnaval | Luiz Bonfá, Itzhak Perlman, John Williams, Pittsburgh Symphony Orchestra | G Minor | 1 | 6A | 97 BPM | ||
Miedo | Astor Piazzolla, Jaime Gosis, Elvino Vardaro, Juan Vasalo, José Bragato | E Minor | 1 | 9A | 80 BPM | ||
Danza Brasilera | Jorge Morel, Celil Refik Kaya | A Minor | 1 | 8A | 117 BPM | ||
Piazzolla: Escualo - Arr. for Cello and String Orchestra by J. Bragato | Astor Piazzolla, Metamorphose String Orchestra, Pavel Lyubomudrov, Mikael Samsonov | F♯ Minor | 2 | 11A | 107 BPM | ||
El Negrito | Antonio Lauro, Adam Holzman | G Major | 1 | 9B | 82 BPM | ||
Prelude in D Minor, BWV 999 | Julian Bream | A Minor | 2 | 8A | 88 BPM |
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