Leonardo Coral, María Teresa Frenk's 'Preludios para piano: I. Onírico' came out on September 15, 2015. With Preludios para piano: I. Onírico being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 26 in the song's album "Orígenes, Formas y Estampas Quijotescas". In this album, this song's track order is #8. Preludios para piano: I. Onírico is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Preludios para piano: I. Onírico by Leonardo Coral, María Teresa Frenk having a BPM of 66 with a half-time of 33 BPM and a double-time of 132 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nobody Knows the Trouble I've Seen | Die 12 Cellisten der Berliner Philharmoniker | D♭ Major | 1 | 3B | 91 BPM | ||
Variations on a Rococo Theme, Op. 33 (Arr. Malzew for Cello, Piano & 4 Saxophones): Var. 5. Allegro moderato | Pyotr Ilyich Tchaikovsky, Alliage Quintett, Alban Gerhardt | A Major | 1 | 11B | 85 BPM | ||
Sonata for Two Pianos and Percussion: II. Lento, ma non troppo | Béla Bartók, Safri Duo, Slovak Piano Duo | E Minor | 1 | 9A | 96 BPM | ||
Le Carnaval des Animaux: Aquarium | Camille Saint-Saëns, Irena Grafenauer, Martha Argerich, Nelson Freire, Gidon Kremer, Isabelle van Keulen, Tabea Zimmermann, Mischa Maisky, Georg Maximilian Hörtnagel, Edith Salmen-Weber | A Minor | 0 | 8A | 134 BPM | ||
The Lark (arr. for Harp) | Mikhail Glinka, Se Hee Hwang | D♭ Major | 1 | 3B | 69 BPM | ||
Piano Trio No. 5 in D Major, Op. 70, No. 1, "Ghost": II. Largo assai ed espressivo | Ludwig van Beethoven, Xyrion Trio | D Minor | 0 | 7A | 84 BPM | ||
Sonata No. 7: I. Espressivo - Vivo | Leonardo Coral, María Teresa Frenk | E♭ Minor | 1 | 2A | 135 BPM | ||
String Quartet No. 8 in C Minor, Op. 110: I. Largo | Dmitri Shostakovich, Asasello Quartett | G Major | 0 | 9B | 88 BPM | ||
Schnittke: String Quartet No. 3: I. Andante | Alfred Schnittke, Borodin Quartet | G Major | 1 | 9B | 85 BPM | ||
His Master's Voice | Jonny Greenwood | C Major | 1 | 8B | 73 BPM |
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