André Messager, Orchestra of the Royal Opera House, Covent Garden/Sir Charles Mackerras, Sir Charles Mackerras, Orch.Of Royal Opera House Covent Garden, Orchestra of the Royal Opera House, Covent Garden's 'Les deux pigeons - Suite (2002 - Remaster): Divertissements (Entrée)' came out on 1988. The duration of Les deux pigeons - Suite (2002 - Remaster): Divertissements (Entrée) is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Les deux pigeons - Suite (2002 - Remaster): Divertissements (Entrée)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 12 out of 21 in Delibes/Messager/Gounod : Ballet Music by Sir Charles Mackerras. Les deux pigeons - Suite (2002 - Remaster): Divertissements (Entrée) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Les deux pigeons - Suite (2002 - Remaster): Divertissements (Entrée) by André Messager, Orchestra of the Royal Opera House, Covent Garden/Sir Charles Mackerras, Sir Charles Mackerras, Orch.Of Royal Opera House Covent Garden, Orchestra of the Royal Opera House, Covent Garden is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Korngold: Violin Concerto in D Major, Op. 35: II. Romanze | Erich Wolfgang Korngold, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | C Major | 0 | 8B | 97 BPM | ||
Le corsaire, ouverture, Op. 21 | Hector Berlioz, Polish State Philharmonic Orchestra, Katowice, Kenneth Jean | G Major | 1 | 9B | 92 BPM | ||
Tristan und Isolde, WWV 90: Prelude To Act I | Richard Wagner, Gewandhausorchester Leipzig, Andris Nelsons | A Minor | 1 | 8A | 79 BPM | ||
Véronique - opéra comique / Acte I: Alors tout est fini | André Messager, Pierre Dervaux, Orchestre Pierre Dervaux, Genevieve Moizan, Geori Boue, Mary Marquet, Roger Bourdin | D Major | 3 | 10B | 111 BPM | ||
Serenata, P. 54 | Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio | C Minor | 1 | 5A | 114 BPM | ||
Korngold: Violin Concerto in D Major, Op. 35: I. Moderato nobile | Erich Wolfgang Korngold, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | D Major | 1 | 10B | 83 BPM | ||
Véronique - opéra comique / Acte I: Dialogue 2 | André Messager, Pierre Dervaux, Orchestre Pierre Dervaux, Choeur De Pierre Dervaux, Genevieve Moizan, Geori Boue, Mary Marquet, Robert Destain, Roger Bourdin, Max De Rieux, Marcel Carpentier, Sophie Mallet, Jackie Sardou, Chantal De Rieux, Roland Bourdin, Micheline Castellier, Claude Jourdain | G Major | 2 | 9B | 85 BPM | ||
Gloria: 6. Qui sedes ad dexteram Patris | Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | G Major | 1 | 9B | 89 BPM | ||
Berlioz: Les Nuits d'été, Op. 7, H 81b: I. Villanelle, H 82b | Hector Berlioz, Théophile Gautier, Véronique Gens/Louis Langree/Orchestre de l'Opéra National de Lyon, Louis Langrée, Orchestre De L'Opéra National De Lyon | A Major | 1 | 11B | 134 BPM | ||
4 Norwegian Dances, Op. 35: No. 2 in A-Major: Allegretto tranquillo e grazioso | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | A Major | 0 | 11B | 136 BPM |
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