Franz Schubert, Bavarian Radio Symphony Orchestra, Eugen Jochum made "Symphony No. 9 in C Major, D. 944 - "The Great": III. Scherzo (Allegro vivace)" available on January 1, 2005. Symphony No. 9 in C Major, D. 944 - "The Great": III. Scherzo (Allegro vivace) appears to be safe for all ages as it is not explicit. There are a total of 8 in the song's album "Schubert: Symphonies Nos. 5 & 9". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Germany. The popularity of Symphony No. 9 in C Major, D. 944 - "The Great": III. Scherzo (Allegro vivace) is currently unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Symphony No. 9 in C Major, D. 944 - "The Great": III. Scherzo (Allegro vivace) by Franz Schubert, Bavarian Radio Symphony Orchestra, Eugen Jochum having a BPM of 180 with a half-time of 90 BPM and a double-time of 360 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Valse Fantaisie, Op.49 | Raoul Koczalski, Ingolf Wunder | B Minor | 0 | 10A | 66 BPM | ||
Arpeggione Sonata, D. 821: II. Adagio | Franz Schubert, Anne Gastinel, Claire Désert | E Major | 0 | 12B | 73 BPM | ||
L'Arlésienne Suite No. 2: Menuet | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | E♭ Major | 0 | 5B | 128 BPM | ||
Etude in D-Sharp Minor, Op. 8, No. 12: Patetico - Remastered | Alexander Scriabin, Vladimir Horowitz | D♭ Minor | 3 | 12A | 72 BPM | ||
Sinfonia melodica in C Major, TWV 50:2: VI. Chaconnette | Georg Philipp Telemann, Indianapolis Baroque Orchestra, Barthold Kuijken | A♭ Major | 3 | 4B | 140 BPM | ||
Notturno in G Minor | Fanny Mendelssohn, Heather Schmidt | G Minor | 1 | 6A | 125 BPM | ||
Serenade for Strings, Op. 22, B. 52 (Excerpts Arr. P. Breiner for Piano): II. Minuet | Antonín Dvořák, Peter Breiner | A Major | 0 | 11B | 67 BPM | ||
4 Impromptus, Op. 90, D. 899: No. 3 in G-Flat Major. Andante | Franz Schubert, Cyprien Katsaris | F♯ Major | 0 | 2B | 66 BPM | ||
Prelude In D Minor, BWV 926 : Prelude In D Minor, BWV 926 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 126 BPM | ||
Nocturne No. 2 in C Minor | John Field, Benjamin Frith | C Minor | 0 | 5A | 67 BPM |
Section: 0.7089695930480957
End: 0.7167212963104248