Johann Christian Bach, Akademie für Alte Musik Berlin, Stephan Mai made "Symphony in G Minor, Op. 6 No. 6: III. Allegro molto" available on 2004. The duration of Symphony in G Minor, Op. 6 No. 6: III. Allegro molto is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Symphony in G Minor, Op. 6 No. 6: III. Allegro molto's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Johann Christian Bach, Akademie für Alte Musik Berlin's "J.C. Bach: Symphonies & Concertos" album is number 11 out of 14. On top of that, France appears to be the country where this track was created. Based on our statistics, Symphony in G Minor, Op. 6 No. 6: III. Allegro molto's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Symphony in G Minor, Op. 6 No. 6: III. Allegro molto by Johann Christian Bach, Akademie für Alte Musik Berlin, Stephan Mai to be Allegro (fast, quick, and bright) because the track has a tempo of 155 BPM, a half-time of 78BPM, and a double-time of 310 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Water Music Suite No. 1 in F: Adagio e staccato | Berliner Philharmoniker, Riccardo Muti | D Minor | 1 | 7A | 77 BPM | ||
String Quartet No. 53 in D Major, Op. 64, No. 5, Hob.III:63, "The Lark": II. Adagio - Cantabile | Franz Joseph Haydn, Kodály Quartet | A Major | 1 | 11B | 83 BPM | ||
Sonata in B Minor, K. 87: Andante | Domenico Scarlatti, Ivo Pogorelich | B Minor | 0 | 10A | 147 BPM | ||
Keyboard Concerto in G Major, Op. 7 No. 6: III. Allegretto | Johann Christian Bach, Ingrid Haebler, Capella Academica Wien, Eduard Melkus | G Major | 1 | 9B | 79 BPM | ||
Concerto a 5 in B flat, Op.7, no.10 for Strings and Continuo: 3. Allegro | Tomaso Albinoni, I Musici | B♭ Major | 2 | 6B | 107 BPM | ||
Mendelssohn: Violin Concerto No. 2 in E Minor, Op. 64: II. Andante | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | C Major | 1 | 8B | 96 BPM | ||
Le Tic-Toc-Choc, ou Les Maillotins: 18ème ordre, 3ème livre | François Couperin, Iddo Bar-Shaï | C Major | 3 | 8B | 145 BPM | ||
Sinfonia in D Major, "La Veneziana": II. Andantino grazioso | Antonio Salieri, Chopin Chamber Orchestra, Winston Dan Vogel | G Major | 0 | 9B | 78 BPM | ||
Amadis de Gaule, W. G39: Act I Scene V: Oh! O grausames Schicksal (Chorus, Amadis) | Johann Christian Bach, Ulrike Sonntag, Elfie Hobarth, Ibolya Verebics, James Wagner, Wolfgang Schöne, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | B♭ Minor | 1 | 3A | 90 BPM | ||
Concerto for Viola and Orchestra in G Major, TWV 51:G9: Concerto for Viola and Orchestra in G Major, TWV 51:G9: I. Largo | Georg Philipp Telemann, Simon Standage, Collegium Musicum 90 | F♯ Major | 0 | 2B | 72 BPM |
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