"The Natural" by Randy Newman was released on 1984. With this song being around four minutes long, at 3:37, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 14 in the song's album "The Natural". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. The Natural is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Natural by Randy Newman having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Drunks | George Fenton | D Major | 5 | 10B | 104 BPM | ||
Brendan's Love of Katie | Clint Eastwood | C Major | 2 | 8B | 54 BPM | ||
Harrow's Way (Intro Theme to the Chicago White Sox) | Holly Anderson | D Minor | 3 | 7A | 123 BPM | ||
M*A*S*H: Main Theme | The Meridian Studio Ensemble | B Minor | 2 | 10A | 112 BPM | ||
The Orgy Conan The Barbarian | Steven Scott Smalley | C Major | 3 | 8B | 173 BPM | ||
How Could You Leave Us | John Ottman | D Minor | 1 | 7A | 87 BPM | ||
Map And Willie | Dave Grusin | F♯ Minor | 1 | 11A | 172 BPM | ||
Bond 77 | Marvin Hamlisch | F Major | 5 | 7B | 122 BPM | ||
Prologue / Main Title | Stu Phillips | F Major | 0 | 7B | 71 BPM | ||
Harbor Neuroscience | Mark Isham | A Minor | 1 | 8A | 78 BPM |
Section: 0.6108379364013672
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