"Sir Henry Vmptons Funerall" by John Dowland, Jadran Duncumb, Accademia Strumentale Italiana, Alberto Rasi was released on June 2, 2023. With this song being about 5 minutes long, at 4:38, "Sir Henry Vmptons Funerall" by John Dowland, Jadran Duncumb, Accademia Strumentale Italiana, Alberto Rasi is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in John Dowland, Jadran Duncumb, Accademia Strumentale Italiana, Alberto Rasi's "Lachrimae" album is number 17 out of 21. On top of that, Netherlands appears to be the country where this track was created. In terms of popularity, Sir Henry Vmptons Funerall is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sir Henry Vmptons Funerall by John Dowland, Jadran Duncumb, Accademia Strumentale Italiana, Alberto Rasi to be Moderato (at a moderate speed) because the track has a tempo of 116 BPM, a half-time of 58BPM, and a double-time of 232 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite in G Major: II. Allemande | Robert de Visée, Yasunori Imamura | C Major | 1 | 8B | 58 BPM | ||
Balletto fatto nella Bariera sopra la Sala di Bologna | Francesco Corbetta, Pierre Pitzl, Private Musicke | D♭ Minor | 0 | 12A | 77 BPM | ||
Luz y norte musical: Pabanas | Lucas Ruiz de Ribayaz, Piffaro | D♭ Major | 0 | 3B | 99 BPM | ||
Viola da Gamba Suite in D Minor: V. Allegro | Carl Friedrich Abel, Paolo Pandolfo | D♭ Minor | 0 | 12A | 77 BPM | ||
Lute Sonata No. 6: III. Sarabanda | Giovanni Zamboni, Luciano Còntini | A♭ Minor | 0 | 1A | 89 BPM | ||
Quia vidisti me, Thoma | Orlande de Lassus, Harmonia Recorder Ensemble | A Minor | 0 | 8A | 63 BPM | ||
Alcidiane: Petite Chaconne | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | B Major | 0 | 1B | 150 BPM | ||
Terpsichore*: Ballet | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | G Minor | 0 | 6A | 171 BPM | ||
Fantazia of foure parts | Orlando Gibbons, Harmonia Recorder Ensemble | A Minor | 0 | 8A | 94 BPM | ||
The False Consonances of Musick, Aria II | Nicola Matteis, Gli Incogniti, Amandine Beyer | A♭ Minor | 2 | 1A | 95 BPM |
Section: 0.627185583114624
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