Giovanni Antonio Pandolfi Mealli, Georg Kallweit, Björn Colell's 'Violin Sonatas, Op. 4: IV. La Biancuccia' came out on April 28, 2017. Since Violin Sonatas, Op. 4: IV. La Biancuccia is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 8 in the song's album "Passaggio, eine barocke Alpenüberquerung". In this album, this song's track order is #7. Violin Sonatas, Op. 4: IV. La Biancuccia is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Violin Sonatas, Op. 4: IV. La Biancuccia by Giovanni Antonio Pandolfi Mealli, Georg Kallweit, Björn Colell having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite No. 5 in G minor for recorder & b.c. – Allemande | Pierre-Danican Philidor, László Rózsa, Jonathan Rees, Alex McCartney | F♯ Minor | 1 | 11A | 80 BPM | ||
"Sonate à quatre parties" In D Major: 1. Allegro | Jean-Baptiste Quentin, Hajo Bäß, Jaap Ter Linden, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 2 | 3B | 185 BPM | ||
Concerto à otto stromenti in D Major: II. Largo | Francesco Maria Veracini, Chouchane Siranossian, Venice Baroque Orchestra, Andrea Marcon | B Minor | 1 | 10A | 109 BPM | ||
Hamburg Symphony No. 6 in E Major, Wq. 182: II. Poco andante | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | D♭ Major | 3 | 3B | 100 BPM | ||
Sonata Quinta in E Minor: II. Courente | Henry Eccles, Théotime Langlois de Swarte, Thomas Dunford | E♭ Minor | 2 | 2A | 90 BPM | ||
Scene 1 | Francesca Caccini, Ferdinando Saracinelli, Ensemble Renaissance | F Major | 1 | 7B | 133 BPM | ||
Violin Sonata in E Minor, Op. 6 No. 9: I. Preludio. Largo | Giovanni Mossi, Augusta McKay Lodge, Doug Balliett, Adam Cockerham, Elliot Figg | E♭ Minor | 1 | 2A | 80 BPM | ||
Sonata "La guerra" in A Major: 4. Adagio | Johann Paul Von Westhoff, Musica Antiqua Köln, Reinhard Goebel | C Minor | 1 | 5A | 34 BPM | ||
Violin Sonata in C Major, Op. 3 No. 6 "La sabbatina" | Giovanni Antonio Pandolfi Mealli, Andrew Manze, Richard Egarr, Fred Jacobs | B Major | 1 | 1B | 111 BPM | ||
Violin Sonata in G Major, Op. 5, No. 12: III. Largo | Jean-Marie Leclair, Trio Settecento | D Minor | 1 | 7A | 110 BPM |
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