"The Bartered Bride, Act II Scene I: So charge the glasses, lads" by Bedřich Smetana, Sir Charles Mackerras, Philharmonic Orchestra, The Royal Opera Chorus, Paul Charles Clarke, Peter Rose was released on October 1, 2005. With this song being about 5 minutes long, at 5:04, "The Bartered Bride, Act II Scene I: So charge the glasses, lads" by Bedřich Smetana, Sir Charles Mackerras, Philharmonic Orchestra, The Royal Opera Chorus, Paul Charles Clarke, Peter Rose is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 44 in the song's album "Smetana: The Bartered Bride". In this album, this song's track order is #15. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, The Bartered Bride, Act II Scene I: So charge the glasses, lads is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Bartered Bride, Act II Scene I: So charge the glasses, lads by Bedřich Smetana, Sir Charles Mackerras, Philharmonic Orchestra, The Royal Opera Chorus, Paul Charles Clarke, Peter Rose having a BPM of 93 with a half-time of 46 BPM and a double-time of 186 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 5/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite pastorale: III. Sous-bois | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | G Major | 0 | 9B | 0 BPM | ||
Dalibor, JB 1:101, Act I, Scene 6: Jaká to bouře ňadra mi plní (Milada, Jitka) | Bedřich Smetana, Marie Podvalová, Štefa Petrová, Prague National Theatre Orchestra, Jaroslav Krombholc | B Major | 1 | 1B | 51 BPM | ||
Pictures at an Exhibition: Promenade. Moderato commodo assai e con delicatezza - attacca | Modest Mussorgsky, Ivo Pogorelich | D♭ Minor | 0 | 12A | 68 BPM | ||
Adagio, Variations and Rondo on Schone Minka, Op. 78: Variation 4 | Johann Nepomuk Hummel, Lise Daoust, Elizabeth Dolin, Carmen Picard | A Major | 1 | 11B | 128 BPM | ||
16 Waltzes, Op. 39: No. 9 In D Minor | Johannes Brahms, Idil Biret | B♭ Major | 0 | 6B | 62 BPM | ||
Oboe Concerto in C Major, RV 452: II. Adagio | Antonio Vivaldi, Stefan Schilli, Geoffrey Thomas, Judit Kiss-Domonkos, Budapest Failoni Chamber Orchestra, Béla Nagy | C Major | 2 | 8B | 125 BPM | ||
Borodin - String Quartet No.2 in D major: Notturno: Andante | Alexander Borodin, Borodin Quartet | A Major | 2 | 11B | 74 BPM | ||
Impromptu in G-Flat Major, Op. 90, No. 3: Andante | Franz Schubert, Vladimir Horowitz | F♯ Major | 0 | 2B | 65 BPM | ||
Four Seasons Winter Variation (After Violin Concerto in F Minor, Op. 8, No. 4, RV 297, III. Allegro-Lento) | Antonio Vivaldi, Martin Stadtfeld | F Minor | 1 | 4A | 117 BPM | ||
4 Lyric Pieces, Op. 74: No. 2 Sanfter Westwind (Gentle West Wind) | Jean Sibelius, Håvard Gimse | F♯ Major | 0 | 2B | 78 BPM |
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