"Suite No. 1 for Horn, Tuba and Piano: IV. Berceuse" by David Jolley, David Oei, Alan Kay, Sam Pilafian was released on August 22, 2008. With this song being around four minutes long, at 3:36, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 15 out of 20 in Alec Wilder: Music for Horn by Various Artists. Suite No. 1 for Horn, Tuba and Piano: IV. Berceuse is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Suite No. 1 for Horn, Tuba and Piano: IV. Berceuse by David Jolley, David Oei, Alan Kay, Sam Pilafian is Adagio (slowly with great expression), since this song has a tempo of 67 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto No. 1 in A Minor, Op. 77: IIIa. Passacaglia. Andante | Dmitri Shostakovich, Hilary Hahn, Marek Janowski, Oslo-Filharmonien | D♭ Major | 1 | 3B | 178 BPM | ||
Sinfonia in E major, RV 132: III. Allegro | Karoly Botvay | E Major | 1 | 12B | 187 BPM | ||
Mazurka No. 23 in D Major, Op. 33, No. 2 | Frédéric Chopin, Idil Biret | A Major | 1 | 11B | 96 BPM | ||
Die Jahreszeiten, Hob. XXI:3, Der Frühling: VIII. Freudenlied mit abwechselndem Chor der Jugend, "Oh, wie lieblich ist der Anblick" | Franz Joseph Haydn, Christina Landshamer, Maximilian Schmitt, Florian Boesch, Collegium Vocale Gent, Orchestre des Champs-Élysées, Philippe Herreweghe | D Major | 1 | 10B | 68 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | F Major | 1 | 7B | 124 BPM | ||
Symphony No. 1 in G Minor: IV. Finale. Allegro agitato | Étienne Nicolas Méhul, Christoph Konig, Soloists Européens Luxembourg | G Minor | 3 | 6A | 115 BPM | ||
Mendelssohn: Violin Concerto No. 2 in E Minor, Op. 64: II. Andante | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | C Major | 1 | 8B | 96 BPM | ||
Duport : Cello Concerto No.1 in G major : Romance | Jean-Louis Duport, Frédéric Lodéon, Jean-Pierre Wallez, Orchestre de chambre de Paris | C Major | 1 | 8B | 95 BPM | ||
Myrthen, Op. 25: No. 1, Widmung (Piano Transcription), S. 566 | Robert Schumann, Franz Liszt, Evgeny Kissin | A♭ Major | 1 | 4B | 76 BPM | ||
Oboe Concerto No. 1 in D Minor: I. Allegro | Ludwig August Lebrun, Bart Schneemann, Radio Chamber Orchestra, Jan Willem de Vriend | D Minor | 1 | 7A | 134 BPM |
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