Alexandre Pierre François Boëly, Stephanie McCallum made "Suite No. 4 in F Minor, Op. 16 "Dans le style des anciens maîtres": III. Polacca" available on June 1, 2018. With this song being about 5 minutes long, at 4:31, "Suite No. 4 in F Minor, Op. 16 "Dans le style des anciens maîtres": III. Polacca" by Alexandre Pierre François Boëly, Stephanie McCallum is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 15 out of 31 in Boëly: Piano Music, Vol. 1 by Alexandre Pierre François Boëly, Stephanie McCallum. Suite No. 4 in F Minor, Op. 16 "Dans le style des anciens maîtres": III. Polacca is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Suite No. 4 in F Minor, Op. 16 "Dans le style des anciens maîtres": III. Polacca by Alexandre Pierre François Boëly, Stephanie McCallum is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Deutsche Messe, D. 872: Das Gebet des Herrn: Massig | Franz Schubert, Immortal Bach Ensemble, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | E Major | 0 | 12B | 76 BPM | ||
Andante con moto in G Minor | Alexandre Pierre François Boëly, Maxime Heintz | E♭ Major | 0 | 5B | 74 BPM | ||
Das Sühnopfer des neuen Bundes, Pt. 1: No. 1, Wo find' ich ihn, der meiner Augen Licht | Carl Loewe, Monika Mauch, Ulrike Malotta, Georg Poplutz, Andreas Burkhart, Arcis-Vocalisten Munich, L'Arpa Festante Baroque Orchestra, Thomas Gropper | E Major | 0 | 12B | 73 BPM | ||
Capriccio Pastorale (Arr. by Samuil Feinberg) | Girolamo Frescobaldi, Alexandra Sostmann | C Major | 0 | 8B | 118 BPM | ||
Magnificat Fugue Quinti Toni XI, P324 | Johann Pachelbel, Matthew Owens | D Major | 2 | 10B | 69 BPM | ||
Allein Gott in der Hoh sei Ehr, SwWV 299: Varitation 3 | Jan Pieterszoon Sweelinck, Joseph Kelemen | E Major | 2 | 12B | 67 BPM | ||
Choralvorspiel und Fuge über "O Traurigkeit, o Herzeleid" WoO 7: Choralvorspiel | Clara Schumann, Anders Eidsten Dahl | E Major | 0 | 12B | 136 BPM | ||
Gentle Waves | Alexander Därr | C Major | 0 | 8B | 174 BPM | ||
Wer Nur Den Lieben Gott - Koraal | Sietze de Vries | F♯ Minor | 1 | 11A | 127 BPM | ||
24 Pièces, Op. 20: No. 6, Andante sostenuto con espressione | Alexandre Pierre François Boëly, Stephanie McCallum | D Minor | 1 | 7A | 81 BPM |
Section: 0.762415885925293
End: 0.7811660766601562