Antonio de Cabezón, Jordi Savall made "Cabezón: Je fille quant dieu me donne de quoy (after Adrian Willaert)" available on March 2, 2018. The duration of Cabezón: Je fille quant dieu me donne de quoy (after Adrian Willaert) is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Cabezón: Je fille quant dieu me donne de quoy (after Adrian Willaert)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 130 out of 195 in España Eterna by Jordi Savall. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The popularity of Cabezón: Je fille quant dieu me donne de quoy (after Adrian Willaert) is currently unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Cabezón: Je fille quant dieu me donne de quoy (after Adrian Willaert) by Antonio de Cabezón, Jordi Savall is Presto (very, very fast), since this song has a tempo of 184 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Obras de Musica: Tiento del segundo tono | Antonio de Cabezón, Glen Wilson | E Major | 3 | 12B | 80 BPM | ||
The Little Consort, Suite No. 10 in D Minor and D Major: III. Courante | Matthew Locke, Phantasm, Elizabeth Kenny | D♭ Major | 1 | 3B | 86 BPM | ||
Sonata for Recorder and Continuo in D Minor: III. Allegro | James Paisible, Tamar Lalo, La Ritirata, Josetxu Obregon | C Major | 4 | 8B | 95 BPM | ||
Quinta a 4, Canto Alto Tenor Basse | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | B♭ Major | 2 | 6B | 116 BPM | ||
Obras de Musica: Tiento del quinto tono | Antonio de Cabezón, Glen Wilson | D♭ Minor | 2 | 12A | 75 BPM | ||
La Magdalena | Pierre Attaingnant, La Rossignol | G Major | 1 | 9B | 69 BPM | ||
O Jupiter / O diva sollers virgo | Adam von Fulda, Ciaramella | F♯ Major | 0 | 2B | 67 BPM | ||
Concert en e mi la: V. Menüet | Francesco Corbetta, Simone Vallerotonda, Bor Zuljan | E♭ Minor | 1 | 2A | 103 BPM | ||
Lachrimae or Seven Tears: IV. Lachrimae tristes | John Dowland, Phantasm, Elizabeth Kenny | E Major | 1 | 12B | 112 BPM | ||
5 Diferencias sobre las vacas | Luis Venegas de Henestrosa, José Miguel Moreno | E Major | 2 | 12B | 77 BPM |
Section: 0.6243083477020264
End: 0.6294209957122803