Jeanette Köhn made "Silverbarn" available on 1996. With this song being around four minutes long, at 3:38, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Välkommen by Various Artists. The song's track number on the album is #7 out of 13 tracks. Based on our data, Sweden was the country where this track was produced or recorded. Silverbarn is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
Since Silverbarn by Jeanette Köhn has a tempo of 78 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Silverbarn being at 78 BPM, the half-time would be 39 BPM with a double-time of 156 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 1/4.
This song is in the music key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Unst Boat Song | Bryn Terfel, Patrick Rimes, Archie Churchill-Moss | A Major | 5 | 11B | 131 BPM | ||
Laudate Pueri: IV. Quis sicut Dominus | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music | A Major | 2 | 11B | 74 BPM | ||
All'imperio d'Amore: 2. O fortunato giorno a 30 "La Pellegrina" | Cristofano Malvezzi, Ensemble Pygmalion, Raphael Pichon | G Minor | 3 | 6A | 113 BPM | ||
At Ease | Jeanette Köhn, Lennart Simonsson, Jonas Knutsson | A Minor | 0 | 8A | 128 BPM | ||
4 Choruses: IV. Efterat (Afterwards) | Ingvar Lidholm, Jeanette Köhn, Eric Ericson Chamber Choir, Eric Ericson | A Major | 0 | 11B | 123 BPM | ||
Im Walde | Friedrich Wilhelm Kücken, ffortissibros, Benedikt Kantert | A♭ Major | 1 | 4B | 65 BPM | ||
Requiem, Op. 9: Introit (Requiem aeternam) - Kyrie eleison | Maurice Duruflé, Collegium Vocale Seoul | F Major | 2 | 7B | 70 BPM | ||
Stabat Mater, FP 148: III. O quam tristis | Francis Poulenc, Ensemble Aedes, Les Siècles, Mathieu Romano | F♯ Major | 0 | 2B | 91 BPM | ||
Komm, Trost der Welt | Christian Lahusen, Calmus Ensemble | A Major | 0 | 11B | 97 BPM | ||
Armide, LWV 71, Act II Scene 4: Ah ! Quelle erreur ! (une Naïade, Chœur) | Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique, Anouk Defontenay, Chœur de l'Opéra de Dijon | F Major | 1 | 7B | 139 BPM |
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