Heinrich Ignaz Franz von Biber, Alan Choo, Jeannette Sorrell's 'Mystery (Rosary) Sonata: No. 11 in G Major “The Resurrection”: I. Sonata' came out on March 1, 2024. The duration of Mystery (Rosary) Sonata: No. 11 in G Major “The Resurrection”: I. Sonata is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Mystery (Rosary) Sonata: No. 11 in G Major “The Resurrection”: I. Sonata's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 41 in Biber: Mystery (Rosary) Sonatas by Heinrich Ignaz Franz von Biber, Alan Choo, Apollo's Fire, Jeannette Sorrell. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Mystery (Rosary) Sonata: No. 11 in G Major “The Resurrection”: I. Sonata is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mystery (Rosary) Sonata: No. 11 in G Major “The Resurrection”: I. Sonata by Heinrich Ignaz Franz von Biber, Alan Choo, Jeannette Sorrell is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto in D Major After BWV 169 and BWV 49: II. Siciliano | Johann Sebastian Bach, Les Muffatti, Bart Jacobs | B Minor | 1 | 10A | 77 BPM | ||
San Giovanni Battista: Overture | Alessandro Stradella, Nereydas, Javier Ulises Illán | D Major | 2 | 10B | 61 BPM | ||
Trio Sonata in D Minor, RV 63 "Follia": Variation 8 (Adagio) | Antonio Vivaldi, Le Consort | D♭ Minor | 3 | 12A | 78 BPM | ||
Trios de la chambre du Roi, LWV 35 (Ed. R. Gwilt): No. 47, Chaconne in C Major | Jean-Baptiste Lully, London Baroque | B Major | 3 | 1B | 105 BPM | ||
Concerto for Flute and Oboe in B Minor, FaWV L:h1: I. Allegro | Johann Friedrich Fasch, Jan De Winne, Marcel Ponseele, Il Gardellino | B♭ Minor | 2 | 3A | 93 BPM | ||
Concerto 6 in A Major, Op. 7: II. Aria grazioso non troppo adagio | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | A♭ Major | 1 | 4B | 95 BPM | ||
Hexachordum Apollinis: No. 3 in F Major, Aria & 6 Variations, P. 195 | Johann Pachelbel, Enrico Bissolo | E Minor | 3 | 9A | 74 BPM | ||
Sonatae unarum fidium: III. Gigue | Johann Heinrich Schmelzer, Ensemble Stravaganza, Domitille Gilon, Thomas Soltani | A♭ Major | 4 | 4B | 123 BPM | ||
Mystery (Rosary) Sonata No. 6, "Christ on the Mount of Olives"*: I. Lamento | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | B Minor | 1 | 10A | 145 BPM | ||
Concerti grossi a quatro e sei strumenti, Op. 7, Libro secondo, Concerto No. 11 in A Minor: I. Largo | Giuseppe Valentini, Ensemble 415, Chiara Banchini, Olivia Centurioni, Odile Edouard, David Plantier, David Courvoisier, Alain Gervreau | A♭ Minor | 1 | 1A | 88 BPM |
Section: 0.7593371868133545
End: 0.7652182579040527