Sonata for Flute, Viola and Harp, L. 137: III. Finale - Claude Debussy, James Galway, Graham Oppenheimer, Marisa Robles Information

Claude Debussy, James Galway, Graham Oppenheimer, Marisa Robles's 'Sonata for Flute, Viola and Harp, L. 137: III. Finale' came out on 1986. With this song being about 5 minutes long, at 4:41, "Sonata for Flute, Viola and Harp, L. 137: III. Finale" by Claude Debussy, James Galway, Graham Oppenheimer, Marisa Robles is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 3 out of 12 in Clair De Lune: Music of Debussy by Claude Debussy, James Galway. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Sonata for Flute, Viola and Harp, L. 137: III. Finale is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Sonata for Flute, Viola and Harp, L. 137: III. Finale BPM

The tempo marking of Sonata for Flute, Viola and Harp, L. 137: III. Finale by Claude Debussy, James Galway, Graham Oppenheimer, Marisa Robles is Andante (at a walking pace), since this song has a tempo of 105 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Sonata for Flute, Viola and Harp, L. 137: III. Finale Key

D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.