"Violin Concerto No. 1: Più mosso" by Krzysztof Penderecki, Isaac Stern, Stanisław Skrowaczewski, Minnesota Orchestra was released on 1979. Violin Concerto No. 1: Più mosso appears to be safe for all ages as it is not explicit. There are a total of 5 in the song's album "Penderecki: Violin Concerto". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United States. Violin Concerto No. 1: Più mosso is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Violin Concerto No. 1: Più mosso by Krzysztof Penderecki, Isaac Stern, Stanisław Skrowaczewski, Minnesota Orchestra having a BPM of 64 with a half-time of 32 BPM and a double-time of 128 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
St. Luke Passion: Part II: Stabat Mater (Sequence) | Krzysztof Penderecki, Izabela Klosinska, Krzysztof Kolberger, Adam Kruszewski, Romuald Tesarowicz, Warsaw Boys Choir, Warsaw Philharmonic Choir, Warsaw Philharmonic Orchestra, Antoni Wit | B♭ Major | 0 | 6B | 110 BPM | ||
Greenwood: Popcorn Superhet Receiver:, Pt. 3 | Jonny Greenwood, Krzysztof Penderecki, Marek Mos, AUKSO Orchestra | G Major | 1 | 9B | 97 BPM | ||
From the Bohemian Forest, Op. 68, B. 133: V. Silent Woods (Arr. Niefind & Ribke For Solo Cello and Cello Ensemble) | Antonín Dvořák, Kian Soltani, Staatskapelle Berlin, Cellists | D♭ Major | 0 | 3B | 85 BPM | ||
Prologue: Chorus of Exiled Palestinians | John Adams, Kent Nagano, The Opera De Lyon, London Opera Chorus | F Minor | 0 | 4A | 90 BPM | ||
Nocturnes, L. 91: 1. Nuages | Claude Debussy, Berliner Philharmoniker, Claudio Abbado | C Major | 0 | 8B | 83 BPM | ||
6 Pieces, Op. 6 (revised version): I. Langsam | Anton Webern, Philharmonia Orchestra, Robert Craft | A Minor | 0 | 8A | 0 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
Symphony No. 7, "7 Gates of Jerusalem": VI. Facta es super me manus Domini | Krzysztof Penderecki, Olga Pasichnyk, Aga Mikolaj, Ewa Marciniec, Wiesław Ochman, Romuald Tesarowicz, Boris Carmeli, Henryk Wojnarowski, Warsaw Philharmonic Choir, Warsaw Philharmonic Orchestra, Antoni Wit | F♯ Major | 2 | 2B | 139 BPM | ||
Crisantemi for string orchestra | Giacomo Puccini, London Symphony Orchestra, Antonio Pappano | F♯ Minor | 0 | 11A | 101 BPM | ||
Mendelssohn: Song Without Words in D Major, Op. 109, MWV Q34 | Felix Mendelssohn, Jacqueline du Pré, Gerald Moore | D Major | 0 | 10B | 93 BPM |
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