"Konzertstuck in F-Sharp Minor, Op. 84: I. Allegro appassionato" by Max Bruch, Maxim Fedotov, Russian Philharmonic Orchestra, Dmitry Yablonsky was released on May 16, 2006. Since Konzertstuck in F-Sharp Minor, Op. 84: I. Allegro appassionato is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 4 out of 6 in Bruch: Violin Concerto No. 1 / Konzertstuck / Romance, Op. 42 by Max Bruch, Maxim Fedotov, Dmitry Yablonsky. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. In terms of popularity, Konzertstuck in F-Sharp Minor, Op. 84: I. Allegro appassionato is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Konzertstuck in F-Sharp Minor, Op. 84: I. Allegro appassionato by Max Bruch, Maxim Fedotov, Russian Philharmonic Orchestra, Dmitry Yablonsky is Andante (at a walking pace), since this song has a tempo of 97 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite Bergamasque, L. 75, CD 82: Suite bergamasque, L. 75, CD 82: IV. Passepied | Claude Debussy, Jean-Efflam Bavouzet | C Minor | 0 | 5A | 109 BPM | ||
The Birds, P. 154: V. The Cuckoo (Il cuccù) | Ottorino Respighi, Orpheus Chamber Orchestra | A Major | 0 | 11B | 118 BPM | ||
Pelléas et Mélisande, Op.80: 3. Sicilienne | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 0 | 6A | 111 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: III. Allegro energico | Max Bruch, Itzhak Perlman, Bernard Haitink, Concertgebouworkest | G Major | 3 | 9B | 97 BPM | ||
Five Pieces In Folk-style, Op.102: I. Vanitas vanitatum mit Humor | Robert Schumann, Anne Gastinel | F Major | 1 | 7B | 104 BPM | ||
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
Allegro appassionato for Cello and Orchestra, Op. 43 | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | E Minor | 1 | 9A | 67 BPM | ||
Carmen Fantasy, Op. 25: II. Lento assai | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | B♭ Major | 8 | 6B | 140 BPM | ||
Méditation de Thaïs | Jules Massenet, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | D Major | 1 | 10B | 72 BPM | ||
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: I. Air Russe: Allegretto moderato | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | D Minor | 1 | 7A | 112 BPM |
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