"The Rose Saga, Pt. 2: No. 2, A Darker Shade of Pink" by Melissa C. Shiflett, Rachel Arky, Elizabeth Rodgers had its release date on June 14, 2024. With This song being less than two minutes long, at 1:38, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 22 in the song's album "The Music of Melissa C. Shiflett". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United States. The Rose Saga, Pt. 2: No. 2, A Darker Shade of Pink is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Rose Saga, Pt. 2: No. 2, A Darker Shade of Pink by Melissa C. Shiflett, Rachel Arky, Elizabeth Rodgers having a BPM of 70 with a half-time of 35 BPM and a double-time of 140 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Klement | Gregor Strniša | B Major | 0 | 1B | 75 BPM | ||
Seducing Hayes / Frances and Gephart | John Debney | C Major | 1 | 8B | 143 BPM | ||
Pesadillas Agradables | Las Eternas | E♭ Minor | 1 | 2A | 96 BPM | ||
Ouverture | André Bisson | D♭ Minor | 1 | 12A | 82 BPM | ||
Christ ist erstanden(ユーデンケーニッヒ) III - Cello & Piano | 小林武史 | G Major | 2 | 9B | 171 BPM | ||
Shek O Beach | Micah Sandt, Sean Lai, Bernard Chan | C Major | 1 | 8B | 85 BPM | ||
Soirée | Noah Barnhart | E Minor | 2 | 9A | 140 BPM | ||
The Long Day Closes: II. An Unquiet Day | Milo Paulus | E Major | 2 | 12B | 107 BPM | ||
Travesia | Benny Blackall | E♭ Major | 0 | 5B | 68 BPM | ||
Canto Ostinato (Arr. for Harp by Gwyneth Wentink): Section 91-94 | Simeon ten Holt, Gwyneth Wentink | B♭ Minor | 1 | 3A | 105 BPM |