On September 15, 1950, the song "Cha-Cha-Gua" was released by Tito Puente & His Orchestra. The duration of Cha-Cha-Gua is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Cha-Cha-Gua's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 104 in the song's album "Presenting Tito Puente & His Orchestra". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Germany. The popularity of Cha-Cha-Gua is currently unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Cha-Cha-Gua by Tito Puente & His Orchestra having a BPM of 205 with a half-time of 102 BPM and a double-time of 410 BPM, we would consider this track to have a Prestissimo (even faster than presto) tempo marking. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Do You Cha Cha? | New Ballroom Dance Orchestra | C Major | 10 | 8B | 124 BPM | ||
Samba de la Torre | Empress Orchestra | A Minor | 5 | 8A | 96 BPM | ||
Que Rico | Tito Rodriguez | D♭ Major | 8 | 3B | 140 BPM | ||
Marie Laveaux | ¡Cubanismo! | F Minor | 7 | 4A | 89 BPM | ||
Melado De Cana | Jack Costanzo And His Afro Cuban Band | A Minor | 8 | 8A | 136 BPM | ||
No Me Busques Mas | Felix Baloy, Afro-Cuban All Stars, Chapotin | A Minor | 8 | 8A | 162 BPM | ||
Píntate Los Labios María (Son) | Eliades Ochoa, Cuarteto Patria | E Minor | 5 | 9A | 101 BPM | ||
Speak Up Mambo ((Chachacha / 30 Bpm)) | Walter Laird & Nico Gomez | F Minor | 5 | 4A | 121 BPM | ||
A la Hora Que Me Llamen Voy | Afro-Cuban All Stars, Orquesta Original De Manzanillo | A Minor | 6 | 8A | 117 BPM | ||
Speak up Mambo | Andy Fortuna | F Minor | 8 | 4A | 121 BPM |
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