"Siegfried: Act I Scene 3: Nothung! Nothung! (Siegfried)" by Richard Wagner, Wolfgang Windgassen, Paul Kuen, Hans Hotter, Gustav Neidlinger, Arnold van Mill, Astrid Varnay, Bayreuth Festival Orchestra, Hans Knappertsbusch was released on May 2, 2012. The duration of Siegfried: Act I Scene 3: Nothung! Nothung! (Siegfried) is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Siegfried: Act I Scene 3: Nothung! Nothung! (Siegfried)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Richard Wagner, Hans Knappertsbusch's "Hans Knappertbusch: Richard Wagner's Der Ring Des Nibelungen" album is number 7 out of 205. On top of that, United States appears to be the country where this track was created. In terms of popularity, Siegfried: Act I Scene 3: Nothung! Nothung! (Siegfried) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Siegfried: Act I Scene 3: Nothung! Nothung! (Siegfried) by Richard Wagner, Wolfgang Windgassen, Paul Kuen, Hans Hotter, Gustav Neidlinger, Arnold van Mill, Astrid Varnay, Bayreuth Festival Orchestra, Hans Knappertsbusch to be Andante (at a walking pace) because the track has a tempo of 93 BPM, a half-time of 46BPM, and a double-time of 186 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pictures At An Exhibition: The Catacombs (Sepulchrum romanum) | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | B Minor | 0 | 10A | 67 BPM | ||
L'elisir d'amore: Overture (Preludio) | Gaetano Donizetti, Metropolitan Opera Orchestra, James Levine | D Major | 0 | 10B | 139 BPM | ||
Prince Igor (Knyaz Igor): Act II: Myedlenno dyn' ugasal (Slowly the day was fading) (Vladimir) | Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | A♭ Major | 2 | 4B | 82 BPM | ||
Symphony No. 5 in B-Flat Major, D. 485: 1. Allegro | Franz Schubert, Wiener Philharmoniker, Claudio Abbado | G Major | 0 | 9B | 156 BPM | ||
Jazz Suite No. 2: VIII. Finale | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | F Major | 4 | 7B | 141 BPM | ||
Lohengrin, WWV 75 / Act 3: Mein lieber Schwan! | Richard Wagner, James King, Karl Ridderbusch, Gundula Janowitz, Gwyneth Jones, Bavarian Radio Chorus, Heinz Mende, Bavarian Radio Symphony Orchestra, Rafael Kubelík | D Major | 2 | 10B | 81 BPM | ||
Pini di Roma, P. 141: I. I pini di Villa Borghese | Ottorino Respighi, New York Philharmonic, Giuseppe Sinopoli | G Minor | 1 | 6A | 65 BPM | ||
Symphony No.4 in D Minor, Op.13, B.41: 3. Scherzo (Allegro feroce) | Antonín Dvořák, London Symphony Orchestra, István Kertész | C Major | 2 | 8B | 115 BPM | ||
M. Glinka: Overture To Opera "Ruslan and Lyudmila" | Chicago Symphony Orchestra, L. Smit | A Major | 1 | 11B | 82 BPM | ||
Romeo and Juliet, Op. 64 - Act 1: The Quarrel | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | B Minor | 4 | 10A | 91 BPM |
Section: 0.6991682052612305
End: 0.7023062705993652