Ignacio Cervantes, Frank Fernández's '¡Pst!' came out on March 9, 2011. With ¡Pst! being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 34 out of 41 in Cervantes & Saumell: Danzas y Contradanzas (CD1) by Ignacio Cervantes, Frank Fernández. ¡Pst! is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of ¡Pst! by Ignacio Cervantes, Frank Fernández is Adagio (slowly with great expression), since this song has a tempo of 72 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
13 Pieces, Op. 76: No. 2. Etude | Jean Sibelius, Olli Mustonen | G Major | 1 | 9B | 92 BPM | ||
Concerto in D Minor, BWV 974 : III. Presto | Johann Sebastian Bach, Claudio Constantini | F Major | 4 | 7B | 96 BPM | ||
Danza De La Vida Breve | Benita Meshulam, Peter Arts, Manuel de Falla | D Minor | 1 | 7A | 107 BPM | ||
Tarantella in A Minor | Mikhail Glinka, Inga Fiolia | A Minor | 2 | 8A | 100 BPM | ||
Les Soirees de Pausilippe, Hommage a Rossini: 24 Pensees Musicales, Op. 75: V. Tarantella In G Minor | Sigismond Thalberg, Francesco Nicolosi | A♭ Major | 3 | 4B | 106 BPM | ||
Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM | ||
Suite for Two Pianos, Op. 6: II. Andantino con moto | Charles Koechlin, Tal & Groethuysen | F Minor | 0 | 4A | 192 BPM | ||
Lied ohne Worte in F-Sharp Minor, Op. 67/2 | Felix Mendelssohn, Khatia Buniatishvili | F♯ Minor | 1 | 11A | 75 BPM | ||
The Tale of Tsar Saltan: The Flight of the Bumble-bee | Nikolai Rimsky-Korsakov, Ludmila Peterková, Irina Kondratenko | G Minor | 1 | 6A | 169 BPM | ||
The Well-Tempered Clavier, Book 1, BWV 846-869 / Prelude & Fugue in C Major, BWV 846: I. Prelude (Transcr. for Guitar) | Johann Sebastian Bach, Raphaël Feuillâtre | A♭ Major | 3 | 4B | 88 BPM |
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