Eden Ahbez, Martin Fröst, Torleif Thedéen, Svante Henryson's 'Nature Boy (Arr. For clarinet, cello and double bass)' came out on July 27, 2010. The duration of Nature Boy (Arr. For clarinet, cello and double bass) is about 3 minutes long, at 3:10. Based on our data, "Nature Boy (Arr. For clarinet, cello and double bass)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 18 out of 18 in Frost and Friends by Martin Fröst. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. The popularity of Nature Boy (Arr. For clarinet, cello and double bass) is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Nature Boy (Arr. For clarinet, cello and double bass) by Eden Ahbez, Martin Fröst, Torleif Thedéen, Svante Henryson is Vivace (lively and fast), since this song has a tempo of 165 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 5/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
21 Hungarian Dances, WoO 1: No. 1, Allegro molto (Arr. G. Frost for clarinet and orchestra) | Johannes Brahms, Martin Fröst, Australian Chamber Orchestra, Richard Tognetti | G Minor | 1 | 6A | 135 BPM | ||
Viola da Gamba Suite in D Minor: I. Arpeggiata | Carl Friedrich Abel, Paolo Pandolfo | D♭ Minor | 0 | 12A | 95 BPM | ||
Préludes / Book 1, L. 117: La fille aux cheveux de lin (Arr. Koncz) | Claude Debussy, Andreas Ottensamer, Rotterdam Philharmonic Orchestra, Yannick Nézet-Séguin | F Major | 0 | 7B | 72 BPM | ||
Quatuor pour la fin du Temps: VIII. Louange à l'immortalité de Jésus | Olivier Messiaen, Lucas Debargue | E Major | 0 | 12B | 76 BPM | ||
String Quintet in C, D.956: 2. Adagio | Franz Schubert, Janine Jansen, Boris Brovtsyn, Amihai Grosz, Torleif Thedéen, Jens-Peter Maintz | F♯ Minor | 0 | 11A | 77 BPM | ||
Le Tic-Toc-Choc, ou Les Maillotins: 18ème ordre, 3ème livre | François Couperin, Iddo Bar-Shaï | C Major | 3 | 8B | 145 BPM | ||
Introduction and Variations on a Swedish Song for Clarinet and Orchestra, Op. 12 | Bernhard Henrik Crusell, Martin Fröst, Royal Stockholm Philharmonic Orchestra | B♭ Major | 2 | 6B | 141 BPM | ||
Suite in A Minor, RCT 5: VII. Gavotte et six doubles | Jean-Philippe Rameau, David Greilsammer | A Minor | 0 | 8A | 127 BPM | ||
Introduction et Allegro, M. 46 | Lavinia Meijer, Amsterdam Sinfonietta | E♭ Minor | 1 | 2A | 78 BPM | ||
Träumerei, Op. 15 No. 7 | Robert Schumann, Michael Collins, Michael McHale | F Major | 0 | 7B | 139 BPM |
Section: 0.5230247974395752
End: 0.5265753269195557