"Anna Magdalena Notenbuch (Clavier-Buchlein III): Bist du bei mir, BWV 508 (attrib. G.H. Stolzel) (arr. G.A. Devine for guitar)" by Graham Anthony Devine, Johann Sebastian Bach was released on June 7, 2011. The duration of Anna Magdalena Notenbuch (Clavier-Buchlein III): Bist du bei mir, BWV 508 (attrib. G.H. Stolzel) (arr. G.A. Devine for guitar) is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Anna Magdalena Notenbuch (Clavier-Buchlein III): Bist du bei mir, BWV 508 (attrib. G.H. Stolzel) (arr. G.A. Devine for guitar)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 15 out of 15 in Bach: Transcriptions and Arrangements for Guitar by Johann Sebastian Bach, Graham Anthony Devine. Anna Magdalena Notenbuch (Clavier-Buchlein III): Bist du bei mir, BWV 508 (attrib. G.H. Stolzel) (arr. G.A. Devine for guitar) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Anna Magdalena Notenbuch (Clavier-Buchlein III): Bist du bei mir, BWV 508 (attrib. G.H. Stolzel) (arr. G.A. Devine for guitar) by Graham Anthony Devine, Johann Sebastian Bach is Larghetto (rather broadly), since this song has a tempo of 62 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Guitar Sonata No. 30 in A Major: Minuet - Allegro | Niccolò Paganini, Marco Tamayo | C Major | 1 | 8B | 140 BPM | ||
Yemaya: I. La Leyenda - | Joaquin Clerch, Graham Anthony Devine | F Major | 0 | 7B | 97 BPM | ||
Chansons et danses: Danse | Antonio Ruiz Pipó, Jurgen Rost | D Major | 1 | 10B | 128 BPM | ||
Carcassi Op.60 N.5 Moderato | Matteo Carcassi, Lucio Matarazzo | G Major | 4 | 9B | 169 BPM | ||
Guitar Sonatina (Ed. J. Bream): III. Finale | Cyril Scott, Graham Anthony Devine | A Minor | 3 | 8A | 139 BPM | ||
De Visée / Transcr. Garcia: Pièces de théorbe et de luth, Suite en la mineur: VI. Gigue | Robert de Visée, Thibaut García | A Minor | 1 | 8A | 179 BPM | ||
Schwanengesang, D. 957: No. 5. Aufenthalt (Delay) (arr. J. K. Mertz) | Franz Schubert, Johann Kaspar Mertz, Gerald Garcia | E Minor | 2 | 9A | 136 BPM | ||
Suite antique (Version for Guitar) [Excerpts]: I. Prélude | John Rutter, Graham Anthony Devine | A Minor | 0 | 8A | 119 BPM | ||
Suite compostelana: V. Cancion | Federico Mompou, Scott Tennant | A Minor | 0 | 8A | 126 BPM | ||
Waltzes, Op. 8: Vals, Op. 8, No. 3 | Jason Vieaux | D Minor | 1 | 7A | 111 BPM |
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