Joan Brudieu, Jordi Savall made "Madrigal: Oíd, oíd... [...las buenas nuevas de Lepanto]" available on January 26, 2018. Madrigal: Oíd, oíd... [...las buenas nuevas de Lepanto] is about six minutes long, preciously at 6:02, making this song fairly long compared to other songs. This song is part of Venezia Millenaria by Jordi Savall. The song's track number on the album is #20 out of 37 tracks. Based on our statistics, Madrigal: Oíd, oíd... [...las buenas nuevas de Lepanto]'s popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
Since Madrigal: Oíd, oíd... [...las buenas nuevas de Lepanto] by Joan Brudieu, Jordi Savall has a tempo of 132 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Madrigal: Oíd, oíd... [...las buenas nuevas de Lepanto] being at 132 BPM, the half-time would be 66 BPM with a double-time of 264 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Te Deum, H. 146: VI. Te ergo quæsumus famulis tuis subveni | Marc-Antoine Charpentier, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, Jehanne Amzal | B♭ Major | 4 | 6B | 106 BPM | ||
Nunc avemus et laudemus | Henryk Górecki, Jan Łukaszewski, Polish Chamber Choir | G Minor | 2 | 6A | 80 BPM | ||
Els Set Dolors de la Mare de Déu | María Luz Álvarez, Norbert Zeilberger, Joan Brudieu, Thomas Wimmer, Accentus Austria | A Minor | 1 | 8A | 76 BPM | ||
Missa ex B: XI. Credo - Live at Melk Abbey, 5/30/2004 | Heinrich Ignaz Franz von Biber, Cappella Nova Graz, Otto Kargl | B♭ Major | 3 | 6B | 86 BPM | ||
Divine Liturgy (Arr. V. Sharafyan for Mixed Choir): Pontifical Wishes | Komitas, Latvian Radio Choir, Sigvards Kļava | G Minor | 0 | 6A | 82 BPM | ||
Plena de seny | Joan Brudieu, José Duce Chenoll, Amystis | A♭ Minor | 1 | 1A | 74 BPM | ||
Kyrie Missa | Gregorian Chants, Cantori Gregoriani, Gregorian Chant | A♭ Major | 1 | 4B | 133 BPM | ||
Messa a quattro voci, SV 190: III. Credo | Claudio Monteverdi, Krijn Koetsveld, Le Nuove Músiche | G Major | 3 | 9B | 75 BPM | ||
Missa ex B: XXV. Hosanna in excelsis - Live at Melk Abbey, 5/30/2004 | Heinrich Ignaz Franz von Biber, Cappella Nova Graz, Otto Kargl | B♭ Major | 3 | 6B | 111 BPM | ||
Tallis: Lamentations of Jeremiah 1 - 9. Jerusalem | Thomas Tallis, The Tallis Scholars, Peter Phillips | A♭ Minor | 1 | 1A | 95 BPM |
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