"Undine: Act II: Was ich sagte, bleibet wahr (Kuhleborn, Chorus, Undine, Marthe, Tobias, Bertalda, Hugo, Bote)" by Albert Lortzing, Monika Krause, Josef Protschka, Heinz Kruse, John Janssen, Christine Hampe, Andreas Schmidt, Ingeborg Most, Klaus Hager, Günter Wewel, Dirk Schortemeier, Cologne West German Radio Chorus, Cologne West German Radio Orchestra, Kurt Peter Eichhorn was released on January 1, 2005. Undine: Act II: Was ich sagte, bleibet wahr (Kuhleborn, Chorus, Undine, Marthe, Tobias, Bertalda, Hugo, Bote) is about six minutes long, preciously at 6:24, making this song fairly long compared to other songs. The track order of this song in Albert Lortzing, Monika Krause, Kurt Peter Eichhorn's "Lortzing, A.: Undine [Opera]" album is number 6 out of 37. On top of that, United States appears to be the country where this track was created. Undine: Act II: Was ich sagte, bleibet wahr (Kuhleborn, Chorus, Undine, Marthe, Tobias, Bertalda, Hugo, Bote) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Undine: Act II: Was ich sagte, bleibet wahr (Kuhleborn, Chorus, Undine, Marthe, Tobias, Bertalda, Hugo, Bote) by Albert Lortzing, Monika Krause, Josef Protschka, Heinz Kruse, John Janssen, Christine Hampe, Andreas Schmidt, Ingeborg Most, Klaus Hager, Günter Wewel, Dirk Schortemeier, Cologne West German Radio Chorus, Cologne West German Radio Orchestra, Kurt Peter Eichhorn to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 9 in D minor, 'Choral' Op. 125, II.: Presto - | Wolfgang Sawallisch, Jan-Hendrik Rootering, Margaret Price, Peter Seiffert, Concertgebouworkest, Marjana Lipovsek, Chor des Städt. Musikvereins zu Düsseldorf | D Major | 0 | 10B | 147 BPM | ||
Zar und Zimmermann: Act II: Lebe wohl, mein flandrisch' Madchen | Albert Lortzing, Fritz Wunderlich, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Kurt Peter Eichhorn | G Major | 2 | 9B | 87 BPM | ||
The Haunting Hour | Emiliano Branda | B♭ Major | 2 | 6B | 151 BPM | ||
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | ||
Concertstück in F Major, Op. 86: I. Lebhaft | Robert Bonnevie, Mark Robbins, David C. Knapp, Scott Wilson, Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | F Major | 1 | 7B | 140 BPM | ||
Die tschechische Hauptstadt Prag und die letzten Takte des Konzertes - Die Moldau. Friedrich Smetana für Kinder. | Marko Simsa | B Major | 2 | 1B | 117 BPM | ||
Rigoletto, Act II: "Caro nome" (Arr. E. Kunzel & C. Beck) | Giuseppe Verdi, Cincinnati Pops Orchestra, Erich Kunzel | C Major | 2 | 8B | 118 BPM | ||
Segunda visión | Juan Pablo Fernández Ramos | G Minor | 1 | 6A | 81 BPM | ||
Coppélia, Tableau 1 : No. 3, Mazurka. | Berliner Philharmoniker | D Major | 4 | 10B | 81 BPM | ||
2 Sketches: A Northern Dance | Adam Carse, Royal Northern Sinfonia, David Lloyd-Jones | A Minor | 2 | 8A | 136 BPM |
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