Sergei Rachmaninoff, Martha Argerich, Alexandre Rabinovitch's 'Rachmaninov: Suite No. 2 in C Major, Op. 17: I. Introduction. Alla marcia' came out on March 12, 1992. With this song being around four minutes long, at 3:31, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 11 in the song's album "Rachmaninoff: Suites, Op. 5 & 17 & Symphonic Dances, Op. 45". In this album, this song's track order is #5. In terms of popularity, Rachmaninov: Suite No. 2 in C Major, Op. 17: I. Introduction. Alla marcia is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Rachmaninov: Suite No. 2 in C Major, Op. 17: I. Introduction. Alla marcia by Sergei Rachmaninoff, Martha Argerich, Alexandre Rabinovitch having a BPM of 102 with a half-time of 51 BPM and a double-time of 204 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Album Leaves, Op. 2, JB 1:51: No. 5 in D Major, Moderato con anima | Bedřich Smetana, Jitka Čechová | A Major | 1 | 11B | 138 BPM | ||
Prélude, Choral et Fugue, FWV 21: Fugue. Tempo I° | César Franck, Nikolai Lugansky | D Major | 1 | 10B | 68 BPM | ||
Schumann: Andante and Variations, Op. 46: III. Doppio movimento | Robert Schumann, Martha Argerich, Alexandre Rabinovitch-Barakovsky, Marie Luise Neunecker, Natalia Gutman | G Major | 2 | 9B | 108 BPM | ||
24 Preludes For Piano, Op.11: No. 12 In G Sharp Minor | Alexander Scriabin, Yuja Wang | A♭ Minor | 0 | 1A | 73 BPM | ||
Poulenc: Sonata for Piano 4-Hands, FP 8: I. Prelude | Francis Poulenc, Emmanuel Strosser, Alexandre Tharaud | A♭ Major | 1 | 4B | 109 BPM | ||
7 Fantasien, Op. 116: No. 1 Capriccio in D Minor | Johannes Brahms, Emil Gilels | F Major | 1 | 7B | 73 BPM | ||
Piano Concerto No. 1 in C Minor, Op. 33: III. Coda. Allegro molto | Nikolai Medtner, Neeme Järvi, London Philharmonic Orchestra, Geoffrey Tozer | G Major | 1 | 9B | 90 BPM | ||
Pour le piano, L. 95: 1. Prélude | Claude Debussy, Pascal Rogé | F Major | 1 | 7B | 90 BPM | ||
Antiche Danze Ed Arie Per Liuto (Ancient Airs And Dances), P. 114: II. Villanella (Quadro III | Ottorino Respighi, Konstantin Scherbakov | B Minor | 0 | 10A | 136 BPM | ||
Piano Sonata in B Minor, S. 178: Cantando espressivo senza slentare | Franz Liszt, Martha Argerich | B Major | 1 | 1B | 70 BPM |
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