Max Bruch, Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan's 'Violin Concerto No. 1 in G Minor, Op. 26: III. Finale (Allegro energico)' came out on January 1, 1981. Since Violin Concerto No. 1 in G Minor, Op. 26: III. Finale (Allegro energico) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan's "Mendelssohn / Bruch: Violin Concertos" album is number 6 out of 6. On top of that, Germany appears to be the country where this track was created. Violin Concerto No. 1 in G Minor, Op. 26: III. Finale (Allegro energico) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Violin Concerto No. 1 in G Minor, Op. 26: III. Finale (Allegro energico) by Max Bruch, Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Waldszenen, Op. 82: No. 7 Vogel als Prophet | Robert Schumann, Wilhelm Kempff | E Major | 0 | 12B | 120 BPM | ||
Canon and Gigue in D Major, P. 37: II. Gigue (Arr. Seiffert for Orchestra) | Johann Pachelbel, Berliner Philharmoniker, Herbert von Karajan, Frank Maus | D Major | 1 | 10B | 83 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 82 BPM | ||
Apollon Musagète (1947 Version): Variation d'Apollon (Apollon et les Muses) | Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan | G Minor | 0 | 6A | 64 BPM | ||
Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: V. Das Menuett des Lully | Richard Strauss, Sir Simon Rattle, Berliner Philharmoniker | E♭ Major | 0 | 5B | 83 BPM | ||
Nocturne No.3 in B, Op.9 No.3 | Frédéric Chopin, Claudio Arrau | F♯ Major | 1 | 2B | 63 BPM | ||
Violin Concerto No. 3 in B minor Op. 61: I. Allegro non troppo | Camille Saint-Saëns, Maxim Vengerov, Antonio Pappano, Philharmonia Orchestra | B Minor | 1 | 10A | 79 BPM | ||
The Planets, Op. 32: 1. Mars, the Bringer of War | Gustav Holst, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 5 | 4B | 149 BPM | ||
Violin Concerto In D, Op. 35, TH. 59: 3. Finale (Allegro vivacissimo) | Pyotr Ilyich Tchaikovsky, Gidon Kremer, Berliner Philharmoniker, Lorin Maazel | D♭ Major | 1 | 3B | 125 BPM | ||
Sonata for Violin and Piano in A: 4. Allegretto poco mosso | César Franck, Kaja Danczowska, Krystian Zimerman | E Major | 0 | 12B | 87 BPM |
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