"Brudmarsch Fra Oesta" by Traditional, Traditional Sweden, Kronos Quartet was released on August 15, 1997. The duration of Brudmarsch Fra Oesta is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Brudmarsch Fra Oesta's duration is considered a little bit shorter than the average duration of a typical track. The song is number 10 out of 21 in Early Music by Kronos Quartet. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Brudmarsch Fra Oesta's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Brudmarsch Fra Oesta by Traditional, Traditional Sweden, Kronos Quartet is Allegro (fast, quick, and bright), since this song has a tempo of 130 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tallinn | Fredrik Hiller | D Major | 2 | 10B | 57 BPM | ||
A Little Jazz Mass (version for mixed chorus, piano, double bass and drum kit): Sanctus | Bob Chilcott, Wellensian Consort, Will Todd Trio, Christopher Finch | A♭ Major | 1 | 4B | 76 BPM | ||
The English Dancing Master: Parson's Farewell | John Playford, Dorothee Oberlinger | C Major | 1 | 8B | 112 BPM | ||
Como Poden | Anonymous, Jessica Baran-Surel | A Minor | 5 | 8A | 155 BPM | ||
Veni Creator | Thomas Aquinas. et al., Kitty Cleveland | A♭ Major | 2 | 4B | 76 BPM | ||
Missa Presulem ephebeatum: I. Kyrie | Heinrich Isaac, Cappella Mariana, Vojtěch Semerád | D Minor | 2 | 7A | 83 BPM | ||
Oculi omnium | Charles Wood, Choir of Gonville & Caius College, Cambridge, Geoffrey Webber | E Major | 1 | 12B | 76 BPM | ||
The English Dance Master, Part II: Newcastle | John Playford, Baltimore Consort | G Major | 2 | 9B | 108 BPM | ||
Come Again, Sweet Love Doth Now Invite | John Dowland, Grace Davidson, David Miller | G Minor | 4 | 6A | 77 BPM | ||
The Heart's Reflection | Daniel Elder, Westminster Choir, Joe Miller | D Major | 1 | 10B | 123 BPM |
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