na Not Applicable, Johnny Victor made "Introducing Mario Lanza ... A Musical Story" available on May 27, 2001. With this song being about 5 minutes long, at 5:27, "Introducing Mario Lanza ... A Musical Story" by na Not Applicable, Johnny Victor is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Mario Lanza's "Lanza, Mario: Mario Lanza (1949-1950)" album is number 1 out of 18. On top of that, Hong Kong appears to be the country where this track was created. Based on our statistics, Introducing Mario Lanza ... A Musical Story's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Introducing Mario Lanza ... A Musical Story by na Not Applicable, Johnny Victor to be Allegro (fast, quick, and bright) because the track has a tempo of 121 BPM, a half-time of 60BPM, and a double-time of 242 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Clues Are Nothing | Alberto Moggi, Jacopo Polimeno, Giuseppe Brittanni, Brandt Martin, Royal Philarmonic Cunes | A♭ Major | 1 | 4B | 67 BPM | ||
Chopin: Prelude op.28 no.19 in E Flat Major | Spring Music | F♯ Major | 1 | 2B | 93 BPM | ||
25 Études faciles et progressives, Op. 100: No. 16, Douce plainte | Franz Burgmüller, The Gerst Ensemble | G Minor | 0 | 6A | 35 BPM | ||
6 Japanese Gardens: No. 5. Moss Garden of the Saiho-ji | Kaija Saariaho, Florent Jodelet, na Not Applicable | E Minor | 0 | 9A | 121 BPM | ||
In Nomine Magni | Daniel Hart | F Minor | 3 | 4A | 66 BPM | ||
Sonate e Partite: No. 3, Moderato (Recomposed by Luca Astolfoni Fossi) | Francesco Lecce, Claudio Ferrarini | G Major | 1 | 9B | 73 BPM | ||
28 Variazions on Aria “ I Was Sleeping and Then I Dreamed” for Solo Flute in G Major: Variation 18 (Recomposed by Luca Astolfoni Fossi) | Johann Joachim Quantz, Claudio Ferrarini | G Major | 2 | 9B | 66 BPM | ||
Sonate e Partite: No. 6, Andante (Recomposed by Luca Astolfoni Fossi) | Francesco Lecce, Claudio Ferrarini | G Major | 1 | 9B | 73 BPM | ||
Satin Doll | Duke Ellington, Billy Strayhorn, na Not Applicable | E Minor | 3 | 9A | 72 BPM | ||
Pipes | Mario Strack | B♭ Major | 4 | 6B | 130 BPM |
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