Bartolomeo Campagnoli, Angèle Dubeau's 'Divertimento Pour Violon Seul Op. 18, No. 7: I. Aria Del Piccolo Marinaio' came out on February 6, 2007. With Divertimento Pour Violon Seul Op. 18, No. 7: I. Aria Del Piccolo Marinaio being less than two minutes long, at 1:42, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 12 in the song's album "Solo". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Canada. Divertimento Pour Violon Seul Op. 18, No. 7: I. Aria Del Piccolo Marinaio is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Divertimento Pour Violon Seul Op. 18, No. 7: I. Aria Del Piccolo Marinaio by Bartolomeo Campagnoli, Angèle Dubeau having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sarabande (with Piano) [Bonus Track] | Angèle Dubeau, La Pietà | F Major | 0 | 7B | 74 BPM | ||
Porgy and Bess: It Ain’t Necessarily So (Arr. for Violin and Piano by Heifetz) | George Gershwin, 대니 구(Danny Koo) | B Minor | 1 | 10A | 168 BPM | ||
Lieder Ohne Worte, Fünftes Heft, Op. 62 (Arr. for Violin and Piano by Ferdinand David): I. Andante espressivo | Felix Mendelssohn, Michael Barenboim, Natalia Pegarkova-Barenboim | D Major | 1 | 10B | 143 BPM | ||
A Last Postcard from Sanday | Peter Maxwell Davies, Fenella Humphreys | D Minor | 0 | 7A | 94 BPM | ||
Musica Universalis | Alex Baranowski, Angèle Dubeau, La Pietà | G Major | 2 | 9B | 77 BPM | ||
Die still Stadt | Alma Mahler, Aitor Llimerá, Mario Mora | D Minor | 1 | 7A | 70 BPM | ||
Fantasia No. 1 in B-Flat Major, TWV 40:14: I. Largo | Georg Philipp Telemann, Federico Guglielmo | A Major | 0 | 11B | 107 BPM | ||
Sonata No. 41 in fa maggiore. Allegro (Transcr. and embellishments by Luca Astolfoni Fossi) | Domenico Cimarosa, Claudio Ferrarini | G Major | 2 | 9B | 91 BPM | ||
String Quartet in G minor | Antonios Fotopoulos, Antonis Fotopoulos | A♭ Major | 0 | 4B | 58 BPM | ||
Paris de mes souvenirs | Alain Lefèvre, Angèle Dubeau | F Major | 1 | 7B | 75 BPM |
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