"Mémoire oubliée: Ou l'art du mouvement d'Isadora Duncan" by Graciane Finzi, Karine Lethiec, Ensemble Calliopée was released on November 12, 2021. Mémoire oubliée: Ou l'art du mouvement d'Isadora Duncan appears to be safe for all ages as it is not explicit. The track order of this song in Graciane Finzi, Karine Lethiec, Ensemble Calliopée's "Graciane Finzi - Et si tout recommençait..." album is number 9 out of 17. On top of that, France appears to be the country where this track was created. Based on our statistics, Mémoire oubliée: Ou l'art du mouvement d'Isadora Duncan's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mémoire oubliée: Ou l'art du mouvement d'Isadora Duncan by Graciane Finzi, Karine Lethiec, Ensemble Calliopée to be Allegro (fast, quick, and bright) because the track has a tempo of 129 BPM, a half-time of 64BPM, and a double-time of 258 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bending the bars | Upside Down Upright Bass | A Minor | 0 | 8A | 130 BPM | ||
Pray “Psalm 23” | Yohan Susilo | A♭ Major | 2 | 4B | 79 BPM | ||
Reveille, concert study for violin with piano accompaniment | Benjamin Britten, Isabelle Faust, Alexander Melnikov, Boris Faust | A Minor | 0 | 8A | 116 BPM | ||
Danza | Colin Brumby, David Shephard, Julie Haskell | F Minor | 0 | 4A | 108 BPM | ||
Clarinet Quartet: I. Notturno. Adagio | Krzysztof Penderecki, Kilian Herold, Florian Donderer, Barbara Buntrock, Tanja Tetzlaff | G Minor | 0 | 6A | 76 BPM | ||
Tristan und Isolde, WWV 90: V, Liebestrank - Paraphrase for String Septet by Martina Trumpp | Richard Wagner, Martina Trumpp, Stephan Knies, Solistenensemble D'Accord | B Major | 2 | 1B | 85 BPM | ||
Point of Tranquility: III. Maestoso | Kenneth Fuchs, Sinfonia Of London, John Wilson | B♭ Major | 5 | 6B | 129 BPM | ||
commendable | Quiet Wonder | C Major | 0 | 8B | 123 BPM | ||
Threni, Lamentations of Jeremiah: VI. De elegia quinta | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra, London Philharmonic Choir, Elizabeth Atherton, Maria Ostroukhova, Sam Furness, Joel Williams, Theodore Platt | G Minor | 0 | 6A | 140 BPM | ||
Pa1p1 | Ionel Petroi | A Minor | 0 | 8A | 90 BPM |
Section: 1.3975627422332764
End: 1.403676986694336