"Mozart: Die Zauberflöte, K. 620, Act 1 Scene 11: Dialog, "Mutter - Mutter - Mutter! … Bin ich nicht ein Narr" (Pamina, Papageno)" by Wolfgang Amadeus Mozart, Sir Roger Norrington was released on February 7, 2005. The duration of Mozart: Die Zauberflöte, K. 620, Act 1 Scene 11: Dialog, "Mutter - Mutter - Mutter! … Bin ich nicht ein Narr" (Pamina, Papageno) is about 3 minutes long, at 3:16. Based on our data, "Mozart: Die Zauberflöte, K. 620, Act 1 Scene 11: Dialog, "Mutter - Mutter - Mutter! … Bin ich nicht ein Narr" (Pamina, Papageno)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Wolfgang Amadeus Mozart, Sir Roger Norrington, London Classical Players's "Mozart: Die Zauberflote" album is number 15 out of 60. Mozart: Die Zauberflöte, K. 620, Act 1 Scene 11: Dialog, "Mutter - Mutter - Mutter! … Bin ich nicht ein Narr" (Pamina, Papageno) is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Mozart: Die Zauberflöte, K. 620, Act 1 Scene 11: Dialog, "Mutter - Mutter - Mutter! … Bin ich nicht ein Narr" (Pamina, Papageno) by Wolfgang Amadeus Mozart, Sir Roger Norrington to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Waltz, D. 1/14, "Kupelwieser-Walzer" | Franz Schubert, Michael Endres | F♯ Major | 0 | 2B | 113 BPM | ||
Sinfonia In G Major, Wq. 183/4, H. 666: III. Presto | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | A Minor | 2 | 8A | 80 BPM | ||
Concerto for three violins BWV 1064R in D Major: Concerto for three violins BWV 1064R in D Major: I. | Johann Sebastian Bach, Freiburger Barockorchester, Gottfried Von Der Goltz, Anne-Katharina Schreiber, Petra Mullejans | D♭ Major | 3 | 3B | 96 BPM | ||
Mazurka No.5 in B Flat, Op.7 No.1 | Frédéric Chopin, Vladimir Ashkenazy | B♭ Major | 1 | 6B | 115 BPM | ||
Clarinet Concerto in B-Flat Major: Andante sostenuto | Gaetano Donizetti, Camerata De Budapest, Laszlo Kovacs | B♭ Minor | 0 | 3A | 69 BPM | ||
Schubert: 4 Impromptus, Op. 90, D. 899: No. 3 in G-Flat Major | Franz Schubert, Rudolf Buchbinder | G Major | 0 | 9B | 135 BPM | ||
Violin Concerto No.1 in G minor, Op.26: 1. Vorspiel (Allegro moderato) | Max Bruch, Julia Fischer, Tonhalle Orchester Zürich, David Zinman | E♭ Major | 1 | 5B | 170 BPM | ||
Ouverture in D Major, "Darmstadt": Harlequinade | Georg Philipp Telemann, Cologne Chamber Orchestra, Helmut Muller-Bruhl | D♭ Major | 1 | 3B | 174 BPM | ||
Sibelius: Finlandia, Op. 26 | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 150 BPM | ||
Concerto for Flute and Harp in C Major, K. 299: II. Andantino | Wolfgang Amadeus Mozart, Jiří Válek, Hana Mullerova, Capella Istropolitana, Richard Edlinger | F Major | 1 | 7B | 111 BPM |
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